竹音乐创新者:三Locus结构的竹子对生表现

K. Komarudin, Lalan Ramlan, Meiga Fristya Laras, Asep Ganjar Wiresta, Asep Saepudin
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引用次数: 1

摘要

威拉加维竹音乐:从三个地点的结构结果看竹子商品化的表现。本研究的目的是描述在西爪哇省、日惹特区(DIY)和东努沙登加拉(NTT)的三个地点中,威拉加维竹音乐商品化作为结构表征的结果。本研究采用定性的方法,具有更深层次的社会文化结构,以竹作为乐器的商品化形式表现为作品。竹子的商品化作为“竹体生长”的参与性,可以使身份和区域真实性合法化,作为一种基于文化经济的文化弹性形式。竹子在文化进程中起着至关重要的作用,从生到死按其时代而定,因此可以说竹子与人类有着密切的关联,按其发生地而定。研究结果包括在三个地点,即西爪哇省,日惹特区(DIY)和东努沙登加拉(NTT)生产一套Wiragawi竹乐器,这是竹音乐商品化的结果。结论表明,竹子的原始材料仍然可以作为创意灵感的来源,主要是根据时代的兴趣和发展来生产各种新的乐器。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musik Bambu Wiragawi: Representasi Komodifikasi Bambu dari Hasil Strukturasi di Tiga Locus
Wiragawi Bamboo Music: the Representation of Commodification of Bamboo from the Structural Results at Three Locus. The purpose of this study is to describe the results of the commodification of Wiragawi Bamboo Music as a Representation of Structuring in Three Locus, among others, in West Java Province, Yogyakarta Special Region (DIY), and East Nusa Tenggara (NTT). This study uses a qualitative method with a deeper socio-cultural structuration, represented as a work in the form of commodification of bamboo as a musical instrument. The commodification of bamboo as a participatory of 'bamboo body grows' can legitimize an identity and regional authenticity as a form of cultural resilience based on a cultural economy. Bamboo plays an essential role in the cultural process, from birth to death according to its era, so it can be said that bamboo and humans have a close correlation, according to the locus of the area. Research findings include producing a set of Wiragawi bamboo musical instruments as a result of the commodification of bamboo music at three locuses, namely West Java Province, Yogyakarta Special Region (DIY), and East Nusa Tenggara (NTT). The conclusion shows that the primary material of bamboo is still very open to being a source of inspiration in creativity, mainly to produce various new instruments according to the interests and developments of the era.
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