与科幻的映射:虚构为什么以及如何照亮科学

IF 0.1 3区 文学 0 LITERATURE
Rhona Trauvitch, Toon Staes, P. Manning, D. Gati, Daniel A. Newman, Eric Morel, Marco Malvezzi Caracciolo
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引用次数: 0

摘要

在《表面与本质》(2013)中,Douglas R. Hofstadter和Emmanuel Sander认为思维是类比的功能他们解释说,我们会自动对遇到的每一个概念进行分类——实际上,为了与世界互动,我们必须这样做——类比是实现这种分类的机制。“为了生存,”霍夫施塔特和桑德写道,“人类依赖于将现在发生的事情与过去发生的事情进行比较。他们利用过去经验与新情况的相似性”(28,原重点)。1980年,乔治·拉科夫和马克·约翰逊率先提出了用认知方法进行类比的方法,他们的主要主张是:“我们通常的概念系统……(3)。正如Karen Sullivan所说,“隐喻是一种认知过程,它允许一个经验领域,即目标领域,根据另一个经验领域,即源领域进行推理”(1)。但是,我们如何推理那些似乎不属于任何类别的对象,那些无法与任何熟悉的事物进行比较的对象呢?的接口
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mapping with Fi-Sci: Why and How Fictionality Illuminates Science
In Surfaces and Essences (2013), Douglas R. Hofstadter and Emmanuel Sander contend that thought is a function of analogy.1 They explain that we automatically categorize every concept we come across—indeed must do so to interact with the world—and analogy is the mechanism that carries out this categorization. “In order to survive,” Hofstadter and Sander write, “humans rely upon comparing what’s happening to them now with what happened to them in the past. They exploit the similarity of past experiences to new situations” (28, original emphasis). The cognitive approach to analogy2 was pioneered in 1980 by George Lakoff and Mark Johnson, whose overarching claim is that “[o]ur ordinary conceptual system [...] is fundamentally metaphorical in nature” (3). As Karen Sullivan puts it, “metaphor is a cognitive process that allows one domain of experience, the target domain, to be reasoned about in terms of another, the source domain” (1). But how do we reason about objects that do not seem to fit into any category, objects that defy comparison to anything familiar? The interface
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
6
期刊介绍: Since its inception in 1971 as the Journal of Narrative Technique, JNT (now the Journal of Narrative Theory) has provided a forum for the theoretical exploration of narrative in all its forms. Building on this foundation, JNT publishes essays addressing the epistemological, global, historical, formal, and political dimensions of narrative from a variety of methodological and theoretical perspectives.
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