附生记忆:植物-人类-技术的认知组合

Finn Petrie
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引用次数: 0

摘要

摘要附生记忆是植物共生归巢关系推动下的一项持续研究。艺术家3d打印陶瓷激光雷达扫描来自新西兰南部热带雨林的古树,将它们置于Ōtepoti达尼丁的混合环境中作为科学干预。这些特定地点的雕塑既可以作为记忆,也可以作为新生活的潜在生物支架。该项目使用增强现实技术,通过一个模拟植物生长的互动式画廊装置,帮助观众了解作品中涉及的时间深度。在这篇文章中,艺术家通过科学研究和土著Māori对植物关系和智慧的思考,将这个项目置于语境中。在这个项目中,多种形式的感知连接在一起,艺术家使用哲学家n·凯瑟琳·海尔斯(N. Katherine Hayles)关于行星认知生态学和认知组合的想法来理解这种连接的感知的生态价值,以及这些联系如何促进植物与人类的对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology
Abstract Epiphytic Memory is an ongoing project motivated by the symbiotic homing relations of plants. The artist 3D-printed porcelain LIDAR scans of ancient trees from Aotearoa New Zealand’s southern rainforests, situating them in hybrid environments in Ōtepoti Dunedin as scientific interventions. These site-specific sculptures function both as memories and as potential bioscaffolds for new life. The project uses augmented reality to help viewers understand the depth of time involved within the work through an interactive gallery installation that simulates plant growth. In this article, the artist contextualizes the project through scientific research and Indigenous Māori thought on plant relations and intelligence. Multiple forms of sentience connect within the project, and the artist uses philosopher N. Katherine Hayles’s ideas of planetary cognitive ecology and cognitive assemblages to understand the ecological value of this connected sentience and how these connections might facilitate plant-human dialogues.
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