{"title":"Immortalis自我?一天的哀歌，在皇家编译和文学再版之间","authors":"Paola Gagliardi","doi":"10.1553/wst134s109","DOIUrl":null,"url":null,"abstract":"The lament of Juturna at the end of the Aeneid (12,869–886) shows the features of a real funeral complaint, both in form and in the concepts it expresses. Virgil, however, is masterfully able to adapt the τόποι of this genre to the anomalous situation of his character, a goddess forced to regret her own immortality.","PeriodicalId":39627,"journal":{"name":"Wiener Studien","volume":"547 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Immortalis ego? Il lamento di Giuturna tra compianti reali e rielaborazione letteraria\",\"authors\":\"Paola Gagliardi\",\"doi\":\"10.1553/wst134s109\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The lament of Juturna at the end of the Aeneid (12,869–886) shows the features of a real funeral complaint, both in form and in the concepts it expresses. Virgil, however, is masterfully able to adapt the τόποι of this genre to the anomalous situation of his character, a goddess forced to regret her own immortality.\",\"PeriodicalId\":39627,\"journal\":{\"name\":\"Wiener Studien\",\"volume\":\"547 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Wiener Studien\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1553/wst134s109\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wiener Studien","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1553/wst134s109","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
《埃涅伊德》(12,869-886)结尾的朱图纳的哀歌，无论在形式上还是在表达的概念上，都表现出了真正的葬礼哀歌的特征。然而，维吉尔巧妙地将这一体裁的τ ο π ι运用到他的角色的反常情况中，他的角色是一位被迫为自己的不朽感到遗憾的女神。
Immortalis ego? Il lamento di Giuturna tra compianti reali e rielaborazione letteraria
The lament of Juturna at the end of the Aeneid (12,869–886) shows the features of a real funeral complaint, both in form and in the concepts it expresses. Virgil, however, is masterfully able to adapt the τόποι of this genre to the anomalous situation of his character, a goddess forced to regret her own immortality.
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