保护科学的形成

IF 0.3 0 ART
Tijana Žakula
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引用次数: 0

摘要

1947年10月9日,伦敦国家美术馆举办了“清洁图片展”。自1936年以来,经过各种处理的70多件杰作汇集在一起,在这次开创性的展览中展出。这次展览引发了所谓的“清洁争议”,受到了很多批评,但也受到了很多赞扬。毫无疑问,这次展览以及随之而来的争议影响了一代又一代的学者。因此,在2021年4月29日至30日举行的以“二战后(1940年代至1970年代)保护科学的形成”为主题的布里尔大使研讨会上,几乎所有演讲都提到了该展览。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Making of Conservation Science
On 9 October 1947, the National Gallery in London opened the Exhibition of Cleaned Pictures. Some seventy masterpieces that had undergone various treatments since 1936 were brought together and exhibited in this groundbreaking show. Much criticized, but also praised by many, the exhibition sparked the so-called “cleaning controversy.” It goes without saying that both the exhibition as well as the ensuing controversy impacted generations of scholars of all stripes. So much so that the exhibition was mentioned in virtually all the lectures that were delivered during the Brill Nuncius seminar held on 29–30 April 2021, which focused on the formation of conservation science in the post-World War II period, from the 1940s through the 1970s.
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来源期刊
CiteScore
1.00
自引率
15.40%
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审稿时长
16 weeks
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