不祥:哥特文学与精神分析中的美学与历史主体性

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Atenea Pub Date : 2020-06-09 DOI:10.29393/at521-3ojcs10003
José Cabrera Sánchez
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引用次数: 0

摘要

本文探讨了神秘概念在启蒙运动时期的发展,以及它在现代哥特文学和西格蒙德·弗洛伊德在二十世纪的作品中的出现。本研究认为,神秘是一个历史上的概念,它作为一种结构机制,在哥特小说和精神分析话语中都被使用,揭示了一种表征模式,允许对启蒙思想动员的认知框架和主体效应进行批判。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lo ominoso: estética y subjetivación histórica en la literatura gótica y el psicoanálisis
This article explores the development of the concept of the uncanny during the Enlightenment, as well as its appearance in modern gothic literature and the work of Sigmund Freud in the twentieth century. This study argues that the uncanny is a historically situated concept whose use as a structuring mechanism, both in gothic fiction and psychoanalytic discourse, reveals a mode of representation that allows for a critical approach to the epistemic framework and subject effects mobilized by Enlightenment thought.
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来源期刊
Atenea
Atenea HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
2
期刊介绍: The journal Atenea, published by the University of Concepcion, is published twice a year. Its objective is to circulate research and critical reflection in the area of Chilean and Latin American Culture. It includes relevant themes of different disciplines (literary, sociological, fine arts, historical, scientific, etc.), arising from research and studies coming from the university and intellectual areas of Chile and Latin America. It is a publication aimed at researchers, thinkers, artists and readers in general who are interested in the development of ideas, knowledge and critical intellectual dialogue.
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