{"title":"不祥:哥特文学与精神分析中的美学与历史主体性","authors":"José Cabrera Sánchez","doi":"10.29393/at521-3ojcs10003","DOIUrl":null,"url":null,"abstract":"This article explores the development of the concept of the uncanny during the Enlightenment, as well as its appearance in modern gothic literature and the work of Sigmund Freud in the twentieth century. This study argues that the uncanny is a historically situated concept whose use as a structuring mechanism, both in gothic fiction and psychoanalytic discourse, reveals a mode of representation that allows for a critical approach to the epistemic framework and subject effects mobilized by Enlightenment thought.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"7 1","pages":"25-40"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lo ominoso: estética y subjetivación histórica en la literatura gótica y el psicoanálisis\",\"authors\":\"José Cabrera Sánchez\",\"doi\":\"10.29393/at521-3ojcs10003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores the development of the concept of the uncanny during the Enlightenment, as well as its appearance in modern gothic literature and the work of Sigmund Freud in the twentieth century. This study argues that the uncanny is a historically situated concept whose use as a structuring mechanism, both in gothic fiction and psychoanalytic discourse, reveals a mode of representation that allows for a critical approach to the epistemic framework and subject effects mobilized by Enlightenment thought.\",\"PeriodicalId\":43674,\"journal\":{\"name\":\"Atenea\",\"volume\":\"7 1\",\"pages\":\"25-40\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Atenea\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29393/at521-3ojcs10003\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atenea","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29393/at521-3ojcs10003","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Lo ominoso: estética y subjetivación histórica en la literatura gótica y el psicoanálisis
This article explores the development of the concept of the uncanny during the Enlightenment, as well as its appearance in modern gothic literature and the work of Sigmund Freud in the twentieth century. This study argues that the uncanny is a historically situated concept whose use as a structuring mechanism, both in gothic fiction and psychoanalytic discourse, reveals a mode of representation that allows for a critical approach to the epistemic framework and subject effects mobilized by Enlightenment thought.
期刊介绍:
The journal Atenea, published by the University of Concepcion, is published twice a year. Its objective is to circulate research and critical reflection in the area of Chilean and Latin American Culture. It includes relevant themes of different disciplines (literary, sociological, fine arts, historical, scientific, etc.), arising from research and studies coming from the university and intellectual areas of Chile and Latin America. It is a publication aimed at researchers, thinkers, artists and readers in general who are interested in the development of ideas, knowledge and critical intellectual dialogue.