重写the aid: pietas and furies in silvae 3.3 (and 5.2)

Giulio Celotto
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摘要

本文认为,在《西尔瓦篇》3.3中,斯塔提乌斯为了安慰克劳狄乌斯·伊特鲁库斯心爱的父亲去世而写的,斯塔提乌斯推翻了他自己在《底比斯记》第1卷和第11卷中对提西福涅和皮埃塔斯之间有争议的关系的描述,以呈现他的赞助人与父亲的深情联系,与俄狄浦斯与儿子的怨恨关系相对立。在《底比斯》中,俄狄浦斯从冥界召唤提西福涅,让她挑起内战来惩罚自己的孩子,愤怒女神立即服从了命令,将彼埃塔斯驱逐出人间,以阻止她阻止冲突。另一方面,在《森林》3.3中,诗人要求皮埃塔斯回到人间,并敦促复仇女神远离死者。同样在《森林5.2》中描绘的Pietas的回归表明,在他的偶然诗集中,斯塔提乌斯重写了自己的史诗,以恢复宇宙:而在《底比斯》混乱的叙事宇宙中,所有的基本价值观,包括孝道,都被颠倒了,《森林》描述了一个更传统、更令人安心的世界,建立在美德而不是复仇的基础上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
REWRITING THE THEBAID: PIETAS AND THE FURIES IN SILVAE 3.3 (AND 5.2)
This paper argues that in Silvae 3.3, written to console Claudius Etruscus on the death of his beloved father, Statius reverses his own account of the contentious relationship between Tisiphone and Pietas in Thebaid Books 1 and 11 to present his patron's affectionate bond with his father as antithetical to Oedipus’ resentful relationship with his sons. In the Thebaid, Oedipus summons Tisiphone from the Underworld to punish his own children by stirring up civil war, and the Fury promptly obeys, banishing Pietas from earth to prevent her from stopping the conflict. In Silvae 3.3, on the other hand, the poet asks Pietas to come back to earth, and urges the Furies to stay away from the deceased. The return of Pietas, also portrayed in Silvae 5.2, shows that in his collection of occasional poetry Statius rewrites his own epic to restore cosmos: while in the chaotic narrative universe of the Thebaid all fundamental values, including filial devotion, are turned upside down, the Silvae describe a more conventional and reassuring world, founded on virtue rather than vengeance.
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