缺口中的不适应:在海伦·汉弗莱斯的《野狗》中的生态与经济之间

IF 0.1 4区 文学 0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN
Jessica L. W. Carey
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引用次数: 0

摘要

本文考察了海伦·汉弗莱斯(Helen Humphreys) 2004年的小说《野狗》(Wild Dogs),认为这种叙事方式对新自由主义文化目前所阐述的生态和经济的无缝模式提出了抵制性回应。小说中充斥着犬类和人类的不适应者的艰难生活,以及他们有时出人意料的行为和决定,这让人们注意到生态和经济叙事的不足,这些叙事可能会带来全面和完美的功能,即使是残酷的功能。这部小说不仅阐释了零和经济效率的新自由主义意识形态在社会经济和认知上的不良影响,也许更重要的是,它将新自由主义置于生态批评的框架中,小说还质疑了“自然”的生态狗咬狗的故事,这种故事经常被用作今天螺旋式上升的、暴力的经济命名为生物政治的可弃性的借口。在《野狗》中,狗和人都体现了“捕食者-被捕食者”二元关系的残余。在这个过程中,他们开创了新自由主义生命政治的推测性假设无法解释的关怀和关系形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Misfits in the Breach: Between Ecology and Economy in Helen Humphreys’s Wild Dogs
This essay examines Helen Humphreys’s 2004 novel Wild Dogs , arguing that the narrative offers resistant responses to the seamless models of ecology and economy that are currently articulated by neoliberal culture. The often difficult lives of the canine and human misfits that populate the novel, alongside their sometimes unexpected actions and decisions, call attention to the inadequacy of ecological and economic narratives that would promise full and perfect, if cutthroat, functionality. The novel not only illustrates the socioeconomic and epistemic ill effects of a zero-sum neoliberal ideology of economic efficiency, but perhaps more importantly for situating neoliberalism within an ecocritical frame, the novel also interrogates the ecological dog-eat-dog story of “nature” that so often serves as the alibi for today’s spiralling and violent economic designations of biopolitical disposability. Both dogs and humans in Wild Dogs embody rankling remainders of the common-sense predator-prey binary; in the process, they initiate forms of care and relationship unaccounted for by the speculative presumptions of neoliberal biopolitics.
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来源期刊
STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE
STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN-
CiteScore
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