小说/话语的本质

A. Voltolini
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引用次数: 13

摘要

在本文中,首先,我想尝试对话语研究方法进行新的辩护,一方面是虚构和非虚构作品之间的关系,另一方面是虚构和非虚构话语之间的关系,特别是虚构和非虚构作品之间的区别是由构成文本的句子的虚构和非虚构话语之间的区别衍生而来的观点。此外,我想用最低限度的语境主义语义术语来解释第二个区别。最后,我想说,虚构的话语,因此是虚构的作品,真正虚构的是语境前语义的事实,即它的说话者有一种假装的行为,这种行为是用元表征的术语来解释的。这最终意味着小说/非小说的区别并没有被虚构作品/非虚构作品的区别所澄清,因为事情恰恰相反。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Nature of Fiction/al Utterances
Abstract In this paper, first of all, I want to try a new defense of the utterance approach as to the relationship between fictional and nonfictional works on the one hand and between fictional and nonfictional utterances on the other hand, notably the idea that the distinction between fictional and nonfictional works is derivative on the distinction between fictional and nonfictional utterances of the sentences that constitute a text. Moreover, I want to account for the second distinction in minimally contextualist semantic terms. Finally, I want to hold that what makes a fictional utterance, hence a fictional work, properly fictional is the contextually pre-semantic fact that its utterer entertains an act of make-believe, where such an act is accounted for in metarepresentational terms. This ultimately means that the fiction/nonfiction distinction is not clarified in terms of the fictional works/nonfictional works distinction, for things rather go the other way around.
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