{"title":"马克·克罗斯比主编,《威廉·布莱克手稿》,亨廷顿图书馆季刊80.3(2017年秋季)","authors":"B. Graver","doi":"10.47761/biq.235","DOIUrl":null,"url":null,"abstract":"The autumn 2017 special issue of Huntington Library Quarterly, edited by Mark Crosby, is devoted to manuscript studies of the works of William Blake. Several of these studies were originally presented at a 2013 symposium at the Huntington Library, which, as Blake scholars know, houses one of the world’s finest Blake collections. Taken together, the essays demonstrate the variety of ways in which the close study of Blake’s manuscripts and prints can yield significant new discoveries about his engraving techniques, his working habits, and his influences. Or, as Crosby puts it in his introduction, “the eight essays … range in methodological approach from considering the materiality of Blake’s manuscripts to more conceptual concerns, with particular attention given to discussing the instability of long-term preservation” (363).","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"6 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mark Crosby, ed., “William Blake’s Manuscripts,” Huntington Library Quarterly 80.3 (autumn 2017)\",\"authors\":\"B. Graver\",\"doi\":\"10.47761/biq.235\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The autumn 2017 special issue of Huntington Library Quarterly, edited by Mark Crosby, is devoted to manuscript studies of the works of William Blake. Several of these studies were originally presented at a 2013 symposium at the Huntington Library, which, as Blake scholars know, houses one of the world’s finest Blake collections. Taken together, the essays demonstrate the variety of ways in which the close study of Blake’s manuscripts and prints can yield significant new discoveries about his engraving techniques, his working habits, and his influences. Or, as Crosby puts it in his introduction, “the eight essays … range in methodological approach from considering the materiality of Blake’s manuscripts to more conceptual concerns, with particular attention given to discussing the instability of long-term preservation” (363).\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.235\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.235","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The autumn 2017 special issue of Huntington Library Quarterly, edited by Mark Crosby, is devoted to manuscript studies of the works of William Blake. Several of these studies were originally presented at a 2013 symposium at the Huntington Library, which, as Blake scholars know, houses one of the world’s finest Blake collections. Taken together, the essays demonstrate the variety of ways in which the close study of Blake’s manuscripts and prints can yield significant new discoveries about his engraving techniques, his working habits, and his influences. Or, as Crosby puts it in his introduction, “the eight essays … range in methodological approach from considering the materiality of Blake’s manuscripts to more conceptual concerns, with particular attention given to discussing the instability of long-term preservation” (363).
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.