反抗/性能。表演性停顿。

IF 2.1 3区社会学 Q1 CULTURAL STUDIES

South Atlantic Quarterly Pub Date : 2023-07-31 DOI:10.1215/00382876-10779379

W. Thayer

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引用次数: 0

摘要

在死后的猜测中，2019年的智利起义，与其说是对新自由主义轨迹的限制，不如说是一种有利于其部署的重置。这篇文章发展了一个“第二层次”的阅读，它不再是关于反抗和新自由主义之间的对抗，而是一种反抗/新自由主义的折叠，从制度功能的稳定转变为反抗的痉挛。随着起义的“新自由主义重置”的特征，其中可能存在一种额外的力量，一种突变，performáncia(纯粹的表现)残余，不可简化为新自由主义的表现，被考虑在内。

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Revolt/Performance. The Performative Pause.

In posthumous speculation, the 2019 Chilean revolt, rather than suggesting a limit to the neoliberal trace, seems to constitute a reset that is conducive to its deployment. This text develops a “second degree” reading in which it is no longer a matter of the antagonism between revolt and neoliberalism, but rather a sort of revolt/neoliberalism fold that shifts from stabilizing in institutional functionings to convulsing in revolt. Along with the revolt's character of “neoliberal reset,” a possible additional force within it, a mutant, performáncia (pure performance) residue, irreducible to neoliberal performativity, is taken into account.

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来源期刊

South Atlantic Quarterly Multiple-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： Individual subscribers and institutions with electronic access can view issues of the South Atlantic Quarterly online. If you have not signed up, review the first-time access instructions. Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene—national, cultural, intellectual—worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity"s influential writers and intellectuals, and examining a wide range of cultural phenomena.