卡文迪许快乐修道院的实验科学与思辨

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2021-02-23 DOI:10.1353/sel.2020.0019

Donovan E. Tann

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引用次数: 0

摘要

摘要:本文从玛格丽特·卡文迪什的《快乐修道院》与当代哲学和宗教思想的接触出发，论证了她对早期现代实验科学的批判。除了对早期现代婚姻的尖锐批判外，《快乐修道院》还探讨了科学知识和宗教信仰的认识论基础。该剧不和谐的结局，包括快乐夫人志愿宗教社团的解散，戏剧化地表现了卡文迪许对模仿研究的拒绝，赞成富有想象力的创作。通过将《快乐修道院》与当代文本(包括约翰·洛克的《关于宽容的一封信》)的对话进行比较，本文展示了卡文迪什的作品如何反映了当代关于早期现代科学和宗教宽容的辩论。

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Experimental Science and Speculation in Cavendish’s Convent of Pleasure

Abstract:This article demonstrates how Margaret Cavendish’s The Convent of Pleasure critiques early modern experimental science based upon her engagement with contemporary philosophical and religious thought. In addition to its pointed critiques of early modern marriage, The Convent of Pleasure explores the epistemological foundations of scientific knowledge and religious belief. The play’s dissonant ending, which includes the dissolution of Lady Happy’s voluntary religious society, dramatizes Cavendish’s rejection of imitative study in favor of imaginative creation. By considering The Convent of Pleasure in conversation with contemporary texts, including John Locke’s A Letter concerning Toleration, this article shows how Cavendish’s work reflects contemporary debates about early modern science and religious toleration.

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.