{"title":"第二人称称呼与阅读的失败:约尔·霍夫曼《你好,多洛雷斯》的女性主义解读","authors":"Chen Edelsburg","doi":"10.1353/hbr.2019.0004","DOIUrl":null,"url":null,"abstract":"Abstract:This paper explores the poetics of Israeli author Yoel Hoffmann (b. 1937) and his perception of language by examining his unique use of the second-person address in his book How Do You Do, Dolores (1995). Hoffmann views language as a constant failure, a guaranteed miscommunication, and employs a double interpellation throughout the book in order to get his readers to experience language as such. By addressing the readers in the second-person, the first interpellation encourages identification with the heroine's addressees (her imagined friend Dolores and her son Michael). The second, which occurs at the end of the book and is facilitated by a dramatic shift in the plot, has been largely ignored by critics, who focus mainly on the sense of wonder produced by the text and therefore read each of the text's fragments separately. This interpellation shifts readers' perception not only of the heroine, but also of themselves and their reading process. The readers come to realize that their initial reading position was immoral as a result of an empathy failure, that they projected their gendered expectations upon the heroine, thus duplicating the same gaze that caused her suffering in the first place.","PeriodicalId":35110,"journal":{"name":"Hebrew Studies","volume":"1 1","pages":"435 - 454"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Second-Person Address and the Failure of Reading: A Feminist Reading of How Do You Do, Dolores by Yoel Hoffmann\",\"authors\":\"Chen Edelsburg\",\"doi\":\"10.1353/hbr.2019.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This paper explores the poetics of Israeli author Yoel Hoffmann (b. 1937) and his perception of language by examining his unique use of the second-person address in his book How Do You Do, Dolores (1995). Hoffmann views language as a constant failure, a guaranteed miscommunication, and employs a double interpellation throughout the book in order to get his readers to experience language as such. By addressing the readers in the second-person, the first interpellation encourages identification with the heroine's addressees (her imagined friend Dolores and her son Michael). The second, which occurs at the end of the book and is facilitated by a dramatic shift in the plot, has been largely ignored by critics, who focus mainly on the sense of wonder produced by the text and therefore read each of the text's fragments separately. This interpellation shifts readers' perception not only of the heroine, but also of themselves and their reading process. The readers come to realize that their initial reading position was immoral as a result of an empathy failure, that they projected their gendered expectations upon the heroine, thus duplicating the same gaze that caused her suffering in the first place.\",\"PeriodicalId\":35110,\"journal\":{\"name\":\"Hebrew Studies\",\"volume\":\"1 1\",\"pages\":\"435 - 454\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hebrew Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/hbr.2019.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hebrew Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/hbr.2019.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文通过考察以色列作家约尔·霍夫曼(1937年)在其著作《How Do You Do, Dolores》(1995)中独特的第二人称称呼,探讨他的诗学和语言感知。霍夫曼将语言视为一种持续的失败,一种必然的误解,并在整本书中使用了双重质询,以便让他的读者体验语言。通过用第二人称称呼读者,第一段问话鼓励读者认同女主的收信人(她想象中的朋友多洛丽丝和她的儿子迈克尔)。第二点发生在书的最后,情节发生了戏剧性的转变,这在很大程度上被评论家们忽略了,他们主要关注文本产生的惊奇感,因此分别阅读文本的每个片段。这种质问不仅改变了读者对女主角的看法,也改变了他们对自己和阅读过程的看法。读者开始意识到,他们最初的阅读立场是不道德的,因为移情失败,他们将自己的性别期望投射到女主角身上,从而复制了最初导致她痛苦的凝视。
Second-Person Address and the Failure of Reading: A Feminist Reading of How Do You Do, Dolores by Yoel Hoffmann
Abstract:This paper explores the poetics of Israeli author Yoel Hoffmann (b. 1937) and his perception of language by examining his unique use of the second-person address in his book How Do You Do, Dolores (1995). Hoffmann views language as a constant failure, a guaranteed miscommunication, and employs a double interpellation throughout the book in order to get his readers to experience language as such. By addressing the readers in the second-person, the first interpellation encourages identification with the heroine's addressees (her imagined friend Dolores and her son Michael). The second, which occurs at the end of the book and is facilitated by a dramatic shift in the plot, has been largely ignored by critics, who focus mainly on the sense of wonder produced by the text and therefore read each of the text's fragments separately. This interpellation shifts readers' perception not only of the heroine, but also of themselves and their reading process. The readers come to realize that their initial reading position was immoral as a result of an empathy failure, that they projected their gendered expectations upon the heroine, thus duplicating the same gaze that caused her suffering in the first place.