16 - 17世纪喜剧中梦的形象化内涵及其对21世纪人类的当代适用性:《仲夏夜之梦》与《生活》Sueño

Q4 Social Sciences

Gender Studies Pub Date : 2018-12-01 DOI:10.2478/genst-2019-0007

Elisabeta Zelinka

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引用次数: 0

摘要

摘要本文旨在探讨莎士比亚的《仲夏夜之梦》和Calderón de la Barca的《生活》sueño中梦这一比喻的哲学内涵。作者将这一比喻与他们的主要人物联系起来的创作催化剂是什么?这些作者是如何将戏剧与当代读者的需求联系起来，为21世纪的权宜之计寻找解决方案的?

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Metaphysical Connotations of the Dream as a Liquifying Trope in 16th – 17th Century Comedies and their Contemporary Applicability for the 21st Century Human: A Midsummer Night’s Dream and La Vida Es Sueño

Abstract The aim of this paper is to investigate the philosophical connotations of the trope of the dream in William Shakespeare’s A Midsummer Night’s Dream and in Calderón de la Barca’s La vida es sueño. What are the authors’ auctorial catalysts in connecting this trope to their key characters? How do these auctorial devices connect the plays to the needs of the contemporary reader, searching for solutions to the challenges of the 21st century modus vivendi?

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来源期刊

Gender Studies Social Sciences-Gender Studies

CiteScore

0.30

自引率

0.00%

发文量

157

审稿时长

14 weeks

期刊介绍： Gender Studies is a journal addressing academics and a general readership at the same time and its main goal is to provide a gendered approach to literature, language and society and also to highlight attempts of educationalists and Gender Studies esperts in various parts of the world to institutionalize Gender Studies in the academe. The GS journal publishes high-quality peer-reviewed articles from various Humanities and Social Sciences areas. The GS journal is interdisciplinary—gender proving an excellent analytical category enabling a new perspective on literature, anthropology, social and political studies, cultural studies, linguistics and mass media studies. The GS journal provides state-of-the-art research in all such fields.