Jacqui Alexander, Samuele Grassi, G. Mellos, Gianni Pettena
{"title":"建筑的“变得复杂”","authors":"Jacqui Alexander, Samuele Grassi, G. Mellos, Gianni Pettena","doi":"10.1017/S1359135522000562","DOIUrl":null,"url":null,"abstract":"Gianni Pettena (1940) has been described as an ‘architect by training and artist by protest’, and an ‘architect actively on strike’. Both a member of the Florentine branch of the Architettura Radicale and a selfproclaimed outsider – as insinuated by his contribution to the iconic Global Tools portrait, in which he holds up a sign: Io sono la spia, or ‘I am a spy’ – Pettena’s work was unique among the group in its deep affinities with the land art and the American countercultural movement, as an extension of earlier, anti-capitalist ideas pursued in Italy that explored the decoupling of function from form in architecture.","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"41 1","pages":"385 - 391"},"PeriodicalIF":0.2000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The ‘becoming-complex’ of architecture\",\"authors\":\"Jacqui Alexander, Samuele Grassi, G. Mellos, Gianni Pettena\",\"doi\":\"10.1017/S1359135522000562\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Gianni Pettena (1940) has been described as an ‘architect by training and artist by protest’, and an ‘architect actively on strike’. Both a member of the Florentine branch of the Architettura Radicale and a selfproclaimed outsider – as insinuated by his contribution to the iconic Global Tools portrait, in which he holds up a sign: Io sono la spia, or ‘I am a spy’ – Pettena’s work was unique among the group in its deep affinities with the land art and the American countercultural movement, as an extension of earlier, anti-capitalist ideas pursued in Italy that explored the decoupling of function from form in architecture.\",\"PeriodicalId\":43799,\"journal\":{\"name\":\"arq-Architectural Research Quarterly\",\"volume\":\"41 1\",\"pages\":\"385 - 391\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"arq-Architectural Research Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1359135522000562\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"arq-Architectural Research Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1359135522000562","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Gianni Pettena (1940) has been described as an ‘architect by training and artist by protest’, and an ‘architect actively on strike’. Both a member of the Florentine branch of the Architettura Radicale and a selfproclaimed outsider – as insinuated by his contribution to the iconic Global Tools portrait, in which he holds up a sign: Io sono la spia, or ‘I am a spy’ – Pettena’s work was unique among the group in its deep affinities with the land art and the American countercultural movement, as an extension of earlier, anti-capitalist ideas pursued in Italy that explored the decoupling of function from form in architecture.
期刊介绍:
Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.