建筑的“变得复杂”

IF 0.2 4区艺术学 N/A ARCHITECTURE

arq-Architectural Research Quarterly Pub Date : 2022-12-01 DOI:10.1017/S1359135522000562

Jacqui Alexander, Samuele Grassi, G. Mellos, Gianni Pettena

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引用次数: 0

摘要

Gianni Pettena(1940)被描述为“训练有素的建筑师和抗议的艺术家”，以及“积极罢工的建筑师”。的佛罗伦萨分支的成员Architettura Radicale和selfproclaimed局外人,暗示他的贡献全球标志性工具肖像,他举起一个信号:Io园子spia,或“我是间谍”——Pettena当中唯一的工作是独特的深度与土地艺术和美国反文化运动的紧密联系,为一个扩展的早些时候,在意大利资本主义的思想追求,探索建筑的功能与形式的分离。

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The ‘becoming-complex’ of architecture

Gianni Pettena (1940) has been described as an ‘architect by training and artist by protest’, and an ‘architect actively on strike’. Both a member of the Florentine branch of the Architettura Radicale and a selfproclaimed outsider – as insinuated by his contribution to the iconic Global Tools portrait, in which he holds up a sign: Io sono la spia, or ‘I am a spy’ – Pettena’s work was unique among the group in its deep affinities with the land art and the American countercultural movement, as an extension of earlier, anti-capitalist ideas pursued in Italy that explored the decoupling of function from form in architecture.

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来源期刊

arq-Architectural Research Quarterly ARCHITECTURE-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.