黎巴嫩“旷日持久的现在”中的艺术、档案和虚构史学

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Renée Ragin Randall
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引用次数: 0

摘要

摘要:本文分析了当代黎巴嫩著名艺术家作品中档案美学的功能,特别是对发现的文件作为新的视觉叙事的一部分的操纵和使用。与其他后现代艺术的解释不同,在这些解释中,发现的文件是主要组成部分,黎巴嫩艺术家将档案(作为对象和实践)从属于通过档案材料达到虚构历史的投机实践。正如本文将展示的那样,这种趋势既模仿了黎巴嫩特有的当代史学问题,也模仿了持续形式的暴力状况的产物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art, Archive, and Fictive Historiography in Lebanon's "Protracted Now"
Abstract:This article analyzes the function of the archival aesthetic found in the works of prominent contemporary Lebanese artists, particularly the manipulation and use of found documents as part of a new visual narrative. Unlike other interpretations of postmodern art in which found documents are a major component, Lebanese artists subordinate the archive (as both object and practice) to the speculative praxis of arriving at a fictive historiography with archival material. As the article will show, this tendency is mimetic of both a contemporary historiographical problematic particular to Lebanon as well as a product of a condition of ongoing forms of violence.
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来源期刊
Cultural Critique
Cultural Critique Multiple-
CiteScore
0.50
自引率
0.00%
发文量
37
期刊介绍: Cultural Critique provides a forum for international and interdisciplinary explorations of intellectual controversies, trends, and issues in culture, theory, and politics. Emphasizing critique rather than criticism, the journal draws on the diverse and conflictual approaches of Marxism, feminism, psychoanalysis, semiotics, political economy, and hermeneutics to offer readings in society and its transformation.
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