{"title":"追踪系谱自我:与蒂姆·英戈尔德的线条绘画的纠缠","authors":"Ilgım Veryeri Alaca, Betül Gaye Dinç","doi":"10.1386/drtp_00007_1","DOIUrl":null,"url":null,"abstract":"Abstract The Genealogical Self Project is a component of a basic drawing course open to undergraduates from diverse disciplines and cultures, and engages students in critical drawing activities at Koç University, a liberal arts college in Īstanbul. By introducing\n a chapter from Tim Ingold's book, Lines: A Brief History, to the course, we aim to revisit the elements and processes that constitute drawing education, and what lines and mark-making mean in art and daily life. Thus, Tim Ingold's anthropological approach to elements of drawing opens a door\n to the expanded capacity of this art in general and invites students to interact with a text that handles parallel topics such as line. The project offers students an experimental way of building a drawing via inspiration from the text covered in the course and by inspiring them to base their\n work on myriad sources from their life going beyond drawing physical objects.","PeriodicalId":36057,"journal":{"name":"Drawing: Research, Theory, Practice","volume":"8 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tracing the Genealogical Self: Entanglements of drawing with Tim Ingold's Lines\",\"authors\":\"Ilgım Veryeri Alaca, Betül Gaye Dinç\",\"doi\":\"10.1386/drtp_00007_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The Genealogical Self Project is a component of a basic drawing course open to undergraduates from diverse disciplines and cultures, and engages students in critical drawing activities at Koç University, a liberal arts college in Īstanbul. By introducing\\n a chapter from Tim Ingold's book, Lines: A Brief History, to the course, we aim to revisit the elements and processes that constitute drawing education, and what lines and mark-making mean in art and daily life. Thus, Tim Ingold's anthropological approach to elements of drawing opens a door\\n to the expanded capacity of this art in general and invites students to interact with a text that handles parallel topics such as line. The project offers students an experimental way of building a drawing via inspiration from the text covered in the course and by inspiring them to base their\\n work on myriad sources from their life going beyond drawing physical objects.\",\"PeriodicalId\":36057,\"journal\":{\"name\":\"Drawing: Research, Theory, Practice\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drawing: Research, Theory, Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/drtp_00007_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drawing: Research, Theory, Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/drtp_00007_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
家谱自我项目是一门基础绘画课程的组成部分,面向来自不同学科和文化的本科生开放,并在Īstanbul的一所文理学院Koç大学让学生参与批判性绘画活动。通过介绍蒂姆·英戈尔德(Tim Ingold)的书《线条:简史》(Lines: a Brief History)中的一章,我们的目标是重新审视构成绘画教育的元素和过程,以及线条和标记在艺术和日常生活中的意义。因此,Tim Ingold对绘画元素的人类学方法为这门艺术的总体扩展能力打开了一扇门,并邀请学生与处理平行主题(如线条)的文本进行互动。该项目为学生提供了一种实验方式,通过从课程中涵盖的文本中获得灵感,并激励他们将自己的工作建立在生活中无数的来源之上,而不仅仅是绘制物理对象。
Tracing the Genealogical Self: Entanglements of drawing with Tim Ingold's Lines
Abstract The Genealogical Self Project is a component of a basic drawing course open to undergraduates from diverse disciplines and cultures, and engages students in critical drawing activities at Koç University, a liberal arts college in Īstanbul. By introducing
a chapter from Tim Ingold's book, Lines: A Brief History, to the course, we aim to revisit the elements and processes that constitute drawing education, and what lines and mark-making mean in art and daily life. Thus, Tim Ingold's anthropological approach to elements of drawing opens a door
to the expanded capacity of this art in general and invites students to interact with a text that handles parallel topics such as line. The project offers students an experimental way of building a drawing via inspiration from the text covered in the course and by inspiring them to base their
work on myriad sources from their life going beyond drawing physical objects.