不可能的一对

IF 2 0 HUMANITIES, MULTIDISCIPLINARY
G. Gerzina
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引用次数: 0

摘要

苏珊·塞勒斯的最新小说《火鸟:布卢姆斯伯里派的爱情故事》描绘了布卢姆斯伯里派成员和著名的俄罗斯芭蕾舞演员莉迪亚·洛波科娃之间的文化冲突。在塞勒斯的叙述中,经济学家、布卢姆斯伯里派内部人士梅纳德·凯恩斯(Maynard Keynes)与局外人洛波科瓦(Lopokova)之间不太可能且令人惊讶的关系,对这个群体的凝聚力和精心打造的生活方式构成了几乎生死攸关的威胁,这种生活方式是基于对艺术、智力和对话的某些共同观点。一个健谈的俄罗斯闯入者闯入了他们的生活和家庭,她阅读莎士比亚以提高她不完美但能说会道的英语,无视他们关于她侵入他们沉默的工作的暗示,出乎意料地诱骗了一个他们长期以来声称属于自己的男人。塞勒斯之前写过广受欢迎的小说《凡妮莎和弗吉尼亚》,讲述的是弗吉尼亚·伍尔夫和凡妮莎·贝尔姐妹的故事,她对传记小说并不陌生。她不仅是弗吉尼亚·伍尔夫作品的学者和编辑,还是法国作家和思想家希克索斯的译者,同时还是一名创意写作教授。在小说的“致谢”中概述了她的研究,内容广泛,从俄罗斯帝国和芭蕾到凯恩斯主义经济学。她还很好地借鉴了朱迪思·麦克雷尔2011年出版的洛波科娃传记《布卢姆斯伯里芭蕾舞女演员:莉迪亚·洛波科娃,皇家舞者和约翰·梅纳德·凯恩斯夫人》。正是这种对洛波科娃的双重描述,让塞勒斯深入研究了这位出色的表演者和难以想象的妻子的内心生活。我们知道她是布卢姆茨伯里派的破坏者,但莉迪亚是什么感觉呢?在许多方面,小说可能是回答这个问题的最佳工具。布卢姆茨伯里派已经写了很多关于视觉和现实的作品,比如罗杰·弗莱的《视觉与设计》或弗吉尼亚·伍尔夫的小说《去灯塔》,但正如迈克尔·莱基指出的那样,“用小说来接近和表现现实,比如一个人的内在或一个群体的本质,与虚构一个人或一个群体有很大的不同”。在这部小说中,塞勒斯既展现了洛波科娃的内心,也展现了一个群体的本质。苏珊·塞勒斯:《火鸟:布卢姆斯伯里派的爱情故事》,爱德华·埃弗雷特·鲁特出版社,伦敦,2022年,19.69英镑,230页,ISBN: 9781913087807
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Unlikely Couple
Susan Sellers’ latest novel, Firebird: A Bloomsbury Love Story, depicts a clash of cultures between the members of the Bloomsbury Group and the acclaimed Russian ballet dancer Lydia Lopokova. In Sellers’s telling, the unlikely and surprising relationship between economist and Bloomsbury insider Maynard Keynes and outsider Lopokova posed a nearly existential threat to the group’s cohesiveness and carefully crafted way of life, which was based on certain shared points of view about the arts, intellect and conversation. Into their lives and homes danced a chatty Russian interloper who read Shakespeare to improve her imperfect but voluble English, ignored their hints about her intrusions into their silent work, and unexpectedly beguiled a man whom they had long claimed as one of their own. Having previously written the well-received novel Vanessa and Virginia, about sisters Virginia Woolf and Vanessa Bell, Sellers is no stranger to biofiction. Already recognized as a scholar and editor of Virginia Woolf’s work, and translator of French writer and thinker Hélène Cixous, she also is a professor of creative writing. Her research, outlined in the novel’s ‘Acknowledgements’, is extensive, ranging from imperial Russia and ballet to Keynesian economics. She also relies—in a good way—on Judith Mackrell’s 2011 biography of Lopokova, Bloomsbury Ballerina: Lydia Lopokova, Imperial Dancer and Mrs John Maynard Keynes. It is this double description of Lopokova that leads Sellers to delve into the inner life of a woman who was a superb performer and unimagined wife. We know her as a Bloomsbury disrupter, but what was it like to be Lydia? In many ways, fiction may be the best vehicle for answering this question. Much has been written about vision and reality by Bloomsbury, in works like Roger Fry’s book Vision and Design or Virginia Woolf’s novel To the Lighthouse, but as Michael Lackey points out, ‘using fiction to access and represent a reality, such as a person’s interiority or the essence of a group, is much different from fictionalizing a person or a group’. In this novel, Sellers offers both Lopokova’s interiority and the essence of a group. Susan Sellers, Firebird: A Bloomsbury Love Story, Edward Everett Root, London, 2022, £19.69, 230 pp., ISBN: 9781913087807
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来源期刊
Women-A Cultural Review
Women-A Cultural Review HUMANITIES, MULTIDISCIPLINARY-
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