{"title":"桥梁林茨2019:数学艺术展","authors":"E. Grosholz","doi":"10.1080/17513472.2019.1691430","DOIUrl":null,"url":null,"abstract":"ABSTRACT This review of mathematical art exhibited at Bridges Linz in 2019 focusses on the use of two 20th c. mathematical developments, the theory of tilings and aperiodic order, and of fractals, in the work of Dugan Hammock, Ryan Webb, Lisa Shier, Doug Dunham, Pallavi Nataragan, Peter Stempfli, Saara Lehto, Andrea Dozmati, Hans Kuiper, Bernat Espigulé, Mingjang Chen, Flora Olivier, Kevin Lee and Demian Nahuel Goos Bosco.","PeriodicalId":42612,"journal":{"name":"Journal of Mathematics and the Arts","volume":"186 1","pages":"360 - 369"},"PeriodicalIF":0.3000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Bridges Linz 2019: Mathematical Art Exhibition\",\"authors\":\"E. Grosholz\",\"doi\":\"10.1080/17513472.2019.1691430\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This review of mathematical art exhibited at Bridges Linz in 2019 focusses on the use of two 20th c. mathematical developments, the theory of tilings and aperiodic order, and of fractals, in the work of Dugan Hammock, Ryan Webb, Lisa Shier, Doug Dunham, Pallavi Nataragan, Peter Stempfli, Saara Lehto, Andrea Dozmati, Hans Kuiper, Bernat Espigulé, Mingjang Chen, Flora Olivier, Kevin Lee and Demian Nahuel Goos Bosco.\",\"PeriodicalId\":42612,\"journal\":{\"name\":\"Journal of Mathematics and the Arts\",\"volume\":\"186 1\",\"pages\":\"360 - 369\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mathematics and the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17513472.2019.1691430\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17513472.2019.1691430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
ABSTRACT This review of mathematical art exhibited at Bridges Linz in 2019 focusses on the use of two 20th c. mathematical developments, the theory of tilings and aperiodic order, and of fractals, in the work of Dugan Hammock, Ryan Webb, Lisa Shier, Doug Dunham, Pallavi Nataragan, Peter Stempfli, Saara Lehto, Andrea Dozmati, Hans Kuiper, Bernat Espigulé, Mingjang Chen, Flora Olivier, Kevin Lee and Demian Nahuel Goos Bosco.