太老了:年老的动作英雄、情感和“努力的经济”

IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION
L. Soberon
{"title":"太老了:年老的动作英雄、情感和“努力的经济”","authors":"L. Soberon","doi":"10.1080/01956051.2021.1957336","DOIUrl":null,"url":null,"abstract":"Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"28 1","pages":"155 - 167"},"PeriodicalIF":0.5000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”\",\"authors\":\"L. Soberon\",\"doi\":\"10.1080/01956051.2021.1957336\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"28 1\",\"pages\":\"155 - 167\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2021.1957336\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2021.1957336","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

摘要本文探讨了老年如何通过激烈的英雄主义表现与男性霸权的理想和动作片的一般惯例相一致。尽管人们通常认为动作片省略了许多与老年英雄年龄有关的特征,以维护他的男性地位,但在许多情况下,年龄和衰老的方面却被强调了。老年带来的疾病和努力为情节夸张的场景提供了强有力的来源,这些情节将动作英雄塑造成追求英雄复兴的道德正义的受害者。以电影《背叛者》、《3天杀戮》和《飓风营救3》为例,我们可以看到动作片是如何让英雄们置身于一种艰苦的情境中,从这种伤害中汲取力量,并将角色的暴力行为塑造成令人愉悦的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”
Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
JOURNAL OF POPULAR FILM AND TELEVISION
JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊介绍: How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信