{"title":"太老了:年老的动作英雄、情感和“努力的经济”","authors":"L. Soberon","doi":"10.1080/01956051.2021.1957336","DOIUrl":null,"url":null,"abstract":"Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"28 1","pages":"155 - 167"},"PeriodicalIF":0.5000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”\",\"authors\":\"L. Soberon\",\"doi\":\"10.1080/01956051.2021.1957336\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"28 1\",\"pages\":\"155 - 167\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2021.1957336\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2021.1957336","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”
Abstract This article discusses how old age aligns with ideals of hegemonic masculinity and generic conventions of the action film through the performance of strenuous heroics. Whereas it is commonly assumed that action films omit many characteristics which reference the geriaction hero’s age in order to safeguard his masculine status, aspects of age and aging are in many contexts instead emphasized. The ailments and efforts that come with old age provide a potent source of melodramatic scenarios that set up the action hero as a morally right victim in pursuit of heroic restoration. Using the films The Last Stand, 3 Days to Kill, and Taken 3, an illustration is offered of how action films engage their heroes in an economy of exertive situations to draw power from this victimization and frame the violent actions of the characters as pleasurable.
期刊介绍:
How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.