梦、记忆与反思:苏轼秋池岩在宋诗中的变形

Q3 Arts and Humanities
Xiaoshan (楊曉山) Yang
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引用次数: 0

摘要

本文追溯了苏轼秋池岩在宋诗中的意义变迁。作为一种审美神器,岩石可能通过文人社会交往而被赠予和交换。在更个人的层面上,这块石头让苏想起了一个神秘的梦,象征着一个隐居的地方,被描述为他在蜀的故乡,一个道教的石窟天堂,一个比桃花源更优越的乌托邦。在苏被流放到遥远的南方的黑暗日子里,这块石头也是他最忠实的伴侣。在南宋诗人的诗中,他们经历了中国北方沦陷给女真人的创伤,岩石变成了一种怀旧的东西,但也引发了对石油癖的尖锐反思,这是一种道德和哲学上有问题的激情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dream, Memory, and Reflection: Transfigurations of Su Shi’s Qiuchi Rock in Song Poetry
The present study traces the changing meanings of Su Shi’s Qiuchi rock in Song poetry. As an aesthetic artifact, the rock may be gifted and exchanged through literati social interactions. At a more personal level, the rock reminds Su of a mysterious dream and symbolizes a place of retreat, described as his homeland in Shu, a Daoist grotto heaven, and a utopia that is superior to Peach Blossom Spring. The rock also serves as Su’s most faithful companion in the dark days of his exile to the far south. In the poems of Southern Song poets, who experienced the trauma of the fall of northern China to the Jurchens, the rock turns into a nostalgic object but also prompts acute reflections on petrophilia as a morally and philosophically problematic passion.
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来源期刊
Journal of Chinese Humanities
Journal of Chinese Humanities Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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发文量
14
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