Bogac Tur, M. Echternach, Stefan Turowski, Meinard Müller, M. Köberlein, M. Döllinger, S. Kniesburges
{"title":"专业唱歌面具的声学分析","authors":"Bogac Tur, M. Echternach, Stefan Turowski, Meinard Müller, M. Köberlein, M. Döllinger, S. Kniesburges","doi":"10.1051/aacus/2022044","DOIUrl":null,"url":null,"abstract":"Wearing face coverings became one essential tool in order to prohibit virus transmission during the COVID-19 pandemic. In comparison to speaking and breathing, singing emits a much higher amount of aerosol particles. Therefore, there are situations in which singers can perform or rehearse only if they are using protective masks. However, such masks have a more or less adverse effect not only on the singer’s comfort and tightness of the mask but also on the radiated sound. For this reason, the spectral filtering and directivity of masks designed specifically for professional singing was measured. The tests were performed with a head phantom. Over most of the spectrum, attenuation is observed, although amplification happens at some low frequency bands for different mask types and directions. Especially singing masks with a plastic face shield showed partial amplification of up to +10 dB below a frequency of 2 kHz, while only slight significant attenuation and no amplification (minimal acoustic loss) were seen for woven fabric masks. Above 2.5 kHz, the transparent masks showed the greatest sound attenuation up to −30 dB, while woven fabric masks produced an overall lower sound attenuation of up to −5 dB. In addition at low frequencies, the sound was amplified or attenuated equally in all directions for masks with a stiff plastic face shield. At higher frequencies, the attenuation is higher to the frontal than to the backward direction.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"35 1","pages":""},"PeriodicalIF":1.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Acoustic analysis of professional singing masks\",\"authors\":\"Bogac Tur, M. Echternach, Stefan Turowski, Meinard Müller, M. Köberlein, M. Döllinger, S. Kniesburges\",\"doi\":\"10.1051/aacus/2022044\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Wearing face coverings became one essential tool in order to prohibit virus transmission during the COVID-19 pandemic. In comparison to speaking and breathing, singing emits a much higher amount of aerosol particles. Therefore, there are situations in which singers can perform or rehearse only if they are using protective masks. However, such masks have a more or less adverse effect not only on the singer’s comfort and tightness of the mask but also on the radiated sound. For this reason, the spectral filtering and directivity of masks designed specifically for professional singing was measured. The tests were performed with a head phantom. Over most of the spectrum, attenuation is observed, although amplification happens at some low frequency bands for different mask types and directions. Especially singing masks with a plastic face shield showed partial amplification of up to +10 dB below a frequency of 2 kHz, while only slight significant attenuation and no amplification (minimal acoustic loss) were seen for woven fabric masks. Above 2.5 kHz, the transparent masks showed the greatest sound attenuation up to −30 dB, while woven fabric masks produced an overall lower sound attenuation of up to −5 dB. In addition at low frequencies, the sound was amplified or attenuated equally in all directions for masks with a stiff plastic face shield. At higher frequencies, the attenuation is higher to the frontal than to the backward direction.\",\"PeriodicalId\":48486,\"journal\":{\"name\":\"Acta Acustica\",\"volume\":\"35 1\",\"pages\":\"\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Acustica\",\"FirstCategoryId\":\"101\",\"ListUrlMain\":\"https://doi.org/10.1051/aacus/2022044\",\"RegionNum\":3,\"RegionCategory\":\"物理与天体物理\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ACOUSTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Acustica","FirstCategoryId":"101","ListUrlMain":"https://doi.org/10.1051/aacus/2022044","RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ACOUSTICS","Score":null,"Total":0}
Wearing face coverings became one essential tool in order to prohibit virus transmission during the COVID-19 pandemic. In comparison to speaking and breathing, singing emits a much higher amount of aerosol particles. Therefore, there are situations in which singers can perform or rehearse only if they are using protective masks. However, such masks have a more or less adverse effect not only on the singer’s comfort and tightness of the mask but also on the radiated sound. For this reason, the spectral filtering and directivity of masks designed specifically for professional singing was measured. The tests were performed with a head phantom. Over most of the spectrum, attenuation is observed, although amplification happens at some low frequency bands for different mask types and directions. Especially singing masks with a plastic face shield showed partial amplification of up to +10 dB below a frequency of 2 kHz, while only slight significant attenuation and no amplification (minimal acoustic loss) were seen for woven fabric masks. Above 2.5 kHz, the transparent masks showed the greatest sound attenuation up to −30 dB, while woven fabric masks produced an overall lower sound attenuation of up to −5 dB. In addition at low frequencies, the sound was amplified or attenuated equally in all directions for masks with a stiff plastic face shield. At higher frequencies, the attenuation is higher to the frontal than to the backward direction.
期刊介绍:
Acta Acustica, the Journal of the European Acoustics Association (EAA).
After the publication of its Journal Acta Acustica from 1993 to 1995, the EAA published Acta Acustica united with Acustica from 1996 to 2019. From 2020, the EAA decided to publish a journal in full Open Access. See Article Processing charges.
Acta Acustica reports on original scientific research in acoustics and on engineering applications. The journal considers review papers, scientific papers, technical and applied papers, short communications, letters to the editor. From time to time, special issues and review articles are also published. For book reviews or doctoral thesis abstracts, please contact the Editor in Chief.