远程沉浸式即兴表演:沉浸式可视化对在线剧院排练和表演的影响

Boyd Branch, Christos Efstratiou, Piotr Wojciech Mirowski, K. Mathewson, P. Allain
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引用次数: 6

摘要

表演者迫切需要但缺乏远程排练和创作现场戏剧的工具,特别是由于Covid-19大流行期间全球对社交互动的限制。然而,到目前为止,还没有研究调查远程视频协作如何影响表现。本文介绍了16位领域专家在六周内进行的实地研究的结果,调查了远程沉浸如何影响即兴戏剧的排练和表演。为了进行这项研究,我们开发了一个原始的媒体服务器,用于将远程表演者安置在共享的虚拟3D环境中,这些环境可以通过流行的视频会议软件访问。本定性研究的结果表明,远程沉浸式环境独特地为表演者提供了强烈的共同存在感,身体联系感,以及进入即兴戏剧所需的社会流状态的能力增强。根据我们的观察,我们提出了针对现场表演的独特需求量身定制的视频协作工具的设计建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tele-Immersive Improv: Effects of Immersive Visualisations on Rehearsing and Performing Theatre Online
Performers acutely need but lack tools to remotely rehearse and create live theatre, particularly due to global restrictions on social interactions during the Covid-19 pandemic. No studies, however, have heretofore examined how remote video-collaboration affects performance. This paper presents the findings of a field study with 16 domain experts over six weeks investigating how tele-immersion affects the rehearsal and performance of improvisational theatre. To conduct the study, an original media server was developed for co-locating remote performers into shared virtual 3D environments which were accessed through popular video conferencing software. The results of this qualitative study indicate that tele-immersive environments uniquely provide performers with a strong sense of co- presence, feelings of physical connection, and an increased ability to enter the social-flow states required for improvisational theatre. Based on our observations, we put forward design recommendations for video collaboration tools tailored to the unique demands of live performance.
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