一种乐器的结构动力分析:藏族唱碗

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
B. Limkar, G. Chandekar
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引用次数: 1

摘要

在不测量激励数据的情况下,对藏族唱碗进行运行模态分析(OMA),提取固有频率和模态振型。它被自由地放在坚硬的表面上,这是演奏这种乐器的一种常见方式。使用实验模态分析(EMA)和有限元数值方法验证了OMA结果。使用ANSYS®软件的数值模拟建立了EMA结果的基准。144个响应点的输入和响应数据使用仪表锤和加速度计收集,连接到四通道FFT分析仪。自生成的MATLAB®代码处理EMA和OMA的响应信号。对于固有频率,除第一模态外,绝对误差在6%以内。对于模态振型,除第四阶模态外,模态保证准则(MAC)值大于70%。因此,在实际性能条件下,与EMA和有限元数值方法相比,OMA是最有效的结构分析方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Structural dynamic analysis of a musical instrument: Tibetan singing bowl
Operational Modal Analysis (OMA) of Tibetan singing bowl is performed to extract natural frequencies and mode shapes without measuring excitation data. It is kept free on a rigid surface, which is a common way of playing this musical instrument. OMA results are validated using Experimental Modal Analysis (EMA) and Numerical Methods using FEA. Numerical simulations using ANSYS® software establishes a benchmark for EMA results. The input and response data for 144 response points are collected using instrumented hammer and accelerometer, connected to a four-channel FFT analyser. A self-generated MATLAB® code processes the response signals for EMA and OMA. For natural frequencies, the absolute error lies within 6%, except for the first mode. For mode shapes, the Modal Assurance Criteria (MAC) value is more than 70%, except for the fourth mode. Thus, OMA is the best available method compared to the EMA and Numerical method using FEA for structural analysis under actual performance conditions.
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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