{"title":"博尔赫斯论可能的世界","authors":"Nahum Brown","doi":"10.1353/mos.2020.0026","DOIUrl":null,"url":null,"abstract":"Abstract:This essay analyzes the philosophical import of Jorge Luis Borges's story \"The Garden of Forking Paths.\" Borges's story contains rich insights into the nature of possible worlds, contradiction, and infinity. In contrast to Leibniz, who claims that non-contradiction separates infinite possible worlds, Borges's vision of modal reality does not adhere to non-contradiction.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Borges on Possible Worlds\",\"authors\":\"Nahum Brown\",\"doi\":\"10.1353/mos.2020.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay analyzes the philosophical import of Jorge Luis Borges's story \\\"The Garden of Forking Paths.\\\" Borges's story contains rich insights into the nature of possible worlds, contradiction, and infinity. In contrast to Leibniz, who claims that non-contradiction separates infinite possible worlds, Borges's vision of modal reality does not adhere to non-contradiction.\",\"PeriodicalId\":44769,\"journal\":{\"name\":\"Mosaic-An Interdisciplinary Critical Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mosaic-An Interdisciplinary Critical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mos.2020.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2020.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract:This essay analyzes the philosophical import of Jorge Luis Borges's story "The Garden of Forking Paths." Borges's story contains rich insights into the nature of possible worlds, contradiction, and infinity. In contrast to Leibniz, who claims that non-contradiction separates infinite possible worlds, Borges's vision of modal reality does not adhere to non-contradiction.
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