托马斯·海伍德《爱德华四世》中简·肖尔的政治身份

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2020-07-02 DOI:10.1353/sel.2020.0013

C. Squitieri

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引用次数: 0

摘要

摘要:本文认为，在托马斯·海伍德的历史剧《爱德华四世的上下篇》中，爱德华四世的情妇简·肖尔的请愿和赦免等言语行为被解读为具有政治效力，从而使她成为一个具有历史意义的人物。通过将她的表演语言与她作为女性、平民和情妇的身份分离开来，简超越了她的道德和社会地位，这种方式在海伍德戏剧之前的民谣或戏剧传统中是看不到的。相反，简的话语获得了超越国王的政治权威，抹去了她以前的地位，在这个过程中重塑了——也许是限制了——她的身份。

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Jane Shore's Political Identity in Thomas Heywood's Edward IV

Abstract:This article argues that Jane Shore, Edward IV's mistress in Thomas Heywood's history play, The First and Second Parts of King Edward IV, becomes a figure of chronical history through the way her speech acts of petitions and pardons are read as politically efficacious. In separating her performative speech from her identity as a woman, commoner, and mistress, Jane transcends both her moral and social status in ways not seen in the ballad or dramatic traditions that predate Heywood's play. Instead, Jane's words achieve a political authority even beyond those of the king, effacing her former status and recrafting—and perhaps limiting—her identity in the process.

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.