通过互文赞美。论雅各布·利弗尔在新拉丁史诗《战争》中的文学手法

Q1 Arts and Humanities
Konrad Löbcke, Paul Reichetanz
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引用次数: 0

摘要

本文考察了Jakob Liefer(1571 - 1655)创作《新旋律》(carmen novo modo)的方法,即城市律、史诗和前奏曲的结合。它展示了利弗如何系统地使用典籍和引用,将他对历史上的马格里夫战争(1308 - 1317)的描述变成了对施特拉尔松德城及其居民的赞美。分析的重点是这部作品与卢坎的《法萨利亚》和维吉尔的《埃涅伊德》的人物和背景的互文性接触。利弗不仅借鉴经典文本,将斯特拉尔松德分别置于与马西利亚和特洛伊同等的崇高水平上,而且他还修改了他的源文本,使斯特拉尔松德之前的英雄们超越了他们文学榜样的成就。这种技巧包括定量和定性的放大,因为作者不仅强调了施特拉尔松德军事胜利的规模,还强调了其居民的谦逊和对基督教的虔诚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Praising through Intertext. On Jakob Liefer’s Literary Technique in the Neo-Latin Epic Bellum Sundense
This paper examines Jakob Liefer’s (1571‑1655) method of composing a carmen novo modo, that is a combination of laus urbis, epic, and cento. It demonstrates how Liefer systematically employs allusions and citations to turn his account of the historic Margrave War (1308‑1317) into a praise of the city of Stralsund and its inhabitants. The analysis focuses on the work’s intertextual engagement with the characters and settings of Lucan’s Pharsalia and Vergil’s Aeneid. Liefer not only borrows from canonical texts to put Stralsund on the same exalted level as Massilia and Troy respectively, but he also modifies his source texts so as to have the heroes before Stralsund surpass the achievements of their literary role models. This technique includes both quantitative and qualitative amplificationes, as the author emphasises not only the scale of Stralsund’s military victory but also the humility and Christian piety of its inhabitants.
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来源期刊
Humanistica Lovaniensia
Humanistica Lovaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
6
审稿时长
20 weeks
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