Alison G. Clark, Catherine Harvey, L. Kenward, J. Porter
{"title":"不仅仅是纪念品","authors":"Alison G. Clark, Catherine Harvey, L. Kenward, J. Porter","doi":"10.3167/jys.2018.190205","DOIUrl":null,"url":null,"abstract":"Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who\nwas also a collector, photographer, ethnographer, zoologist, and botanist and\nwho traveled around the world aboard the privately owned yacht the Sunbeam.\nDuring these voyages she amassed a collection of approximately six thousand\nobjects. Much more than tourist souvenirs, the collection shows a rigorous academic\nunderstanding of the disciplines she was collecting within. The ethnographic\nmaterial, which makes up one-third of the collection, has gained little\nattention. Using her travel writing as a primary source, this article will interrogate\nBrassey’s role as the maker of this collection, someone whose class allowed\nher to travel and to pursue museum collection, curation, and education to a\nnear-professional level. Through three case studies this article will consider how\nshe collected and curated her own museum and used her collection for public\nbenefit.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":"606 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"More Than Souvenirs\",\"authors\":\"Alison G. Clark, Catherine Harvey, L. Kenward, J. Porter\",\"doi\":\"10.3167/jys.2018.190205\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who\\nwas also a collector, photographer, ethnographer, zoologist, and botanist and\\nwho traveled around the world aboard the privately owned yacht the Sunbeam.\\nDuring these voyages she amassed a collection of approximately six thousand\\nobjects. Much more than tourist souvenirs, the collection shows a rigorous academic\\nunderstanding of the disciplines she was collecting within. The ethnographic\\nmaterial, which makes up one-third of the collection, has gained little\\nattention. Using her travel writing as a primary source, this article will interrogate\\nBrassey’s role as the maker of this collection, someone whose class allowed\\nher to travel and to pursue museum collection, curation, and education to a\\nnear-professional level. Through three case studies this article will consider how\\nshe collected and curated her own museum and used her collection for public\\nbenefit.\",\"PeriodicalId\":42316,\"journal\":{\"name\":\"Journeys-The International Journal of Travel and Travel Writing\",\"volume\":\"606 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journeys-The International Journal of Travel and Travel Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/jys.2018.190205\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journeys-The International Journal of Travel and Travel Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/jys.2018.190205","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who
was also a collector, photographer, ethnographer, zoologist, and botanist and
who traveled around the world aboard the privately owned yacht the Sunbeam.
During these voyages she amassed a collection of approximately six thousand
objects. Much more than tourist souvenirs, the collection shows a rigorous academic
understanding of the disciplines she was collecting within. The ethnographic
material, which makes up one-third of the collection, has gained little
attention. Using her travel writing as a primary source, this article will interrogate
Brassey’s role as the maker of this collection, someone whose class allowed
her to travel and to pursue museum collection, curation, and education to a
near-professional level. Through three case studies this article will consider how
she collected and curated her own museum and used her collection for public
benefit.