{"title":"Hilde Heynen, Sibyl Moholy-Nagy:建筑,现代主义及其不满","authors":"Kathleen James-Chakraborty","doi":"10.4000/abe.6964","DOIUrl":null,"url":null,"abstract":"Sibyl Moholy-Nagy (1903-1971), the subject of the first book in a new series edited by Tom Avermaete and Janina Gosseye, aptly fits their brief of expanding our understanding of the modern movement by looking beyond the figures they term “grandmasters,” while retaining a focus on biography. The widow of the Bauhaus master Laszlo Moholy-Nagy, the subject of her first major work of non-fiction, Moholy-Nagy never embraced what became known as postmodernism. As Hilde Heynen demonstrates in Sibyl ...","PeriodicalId":41296,"journal":{"name":"ABE Journal","volume":"161 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hilde Heynen, Sibyl Moholy-Nagy: Architecture, Modernism and its Discontents\",\"authors\":\"Kathleen James-Chakraborty\",\"doi\":\"10.4000/abe.6964\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Sibyl Moholy-Nagy (1903-1971), the subject of the first book in a new series edited by Tom Avermaete and Janina Gosseye, aptly fits their brief of expanding our understanding of the modern movement by looking beyond the figures they term “grandmasters,” while retaining a focus on biography. The widow of the Bauhaus master Laszlo Moholy-Nagy, the subject of her first major work of non-fiction, Moholy-Nagy never embraced what became known as postmodernism. As Hilde Heynen demonstrates in Sibyl ...\",\"PeriodicalId\":41296,\"journal\":{\"name\":\"ABE Journal\",\"volume\":\"161 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ABE Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/abe.6964\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ABE Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/abe.6964","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Hilde Heynen, Sibyl Moholy-Nagy: Architecture, Modernism and its Discontents
Sibyl Moholy-Nagy (1903-1971), the subject of the first book in a new series edited by Tom Avermaete and Janina Gosseye, aptly fits their brief of expanding our understanding of the modern movement by looking beyond the figures they term “grandmasters,” while retaining a focus on biography. The widow of the Bauhaus master Laszlo Moholy-Nagy, the subject of her first major work of non-fiction, Moholy-Nagy never embraced what became known as postmodernism. As Hilde Heynen demonstrates in Sibyl ...