{"title":"酷儿场所的视野","authors":"Anna Vuorinne, Ralf Kauranen","doi":"10.3167/eca.2022.150103","DOIUrl":null,"url":null,"abstract":"This article discusses two queer comics from Finland in the 2010s, H-P Lehkonen’s Life Outside the Circle (2017–2018) and Edith Hammar’s Homo Line (2020), analysing them as identity work and acts of queer world-making. Both comics depict migration and foreground identity formation in relation to place. The analysis focuses on the intersectionality of queer identities, marked as minority positions with regard to power structures related to gender and sexuality—where a binary conception of gender and heteronormativity dominates, with systemic hierarchies related to place and different national and regional cultures. Utilising the genre conventions of romance and autobiography, the comics renegotiate hetero- and cis-normative identifications and envision alternative queer spatial formations.","PeriodicalId":40846,"journal":{"name":"European Comic Art","volume":"63 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visions of Queer Places\",\"authors\":\"Anna Vuorinne, Ralf Kauranen\",\"doi\":\"10.3167/eca.2022.150103\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses two queer comics from Finland in the 2010s, H-P Lehkonen’s Life Outside the Circle (2017–2018) and Edith Hammar’s Homo Line (2020), analysing them as identity work and acts of queer world-making. Both comics depict migration and foreground identity formation in relation to place. The analysis focuses on the intersectionality of queer identities, marked as minority positions with regard to power structures related to gender and sexuality—where a binary conception of gender and heteronormativity dominates, with systemic hierarchies related to place and different national and regional cultures. Utilising the genre conventions of romance and autobiography, the comics renegotiate hetero- and cis-normative identifications and envision alternative queer spatial formations.\",\"PeriodicalId\":40846,\"journal\":{\"name\":\"European Comic Art\",\"volume\":\"63 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Comic Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/eca.2022.150103\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Comic Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/eca.2022.150103","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文讨论了2010年代芬兰的两部酷儿漫画——hp Lehkonen的《圈子外的生活》(Life Outside the Circle, 2017-2018)和Edith Hammar的《Homo Line》(Homo Line, 2020),并将它们作为身份作品和酷儿世界创造的行为进行了分析。两幅漫画都描绘了迁徙和前景身份的形成与地点的关系。分析的重点是酷儿身份的交叉性,在与性别和性行为相关的权力结构中被标记为少数人的地位——性别和异性恋规范的二元概念占主导地位,与地方和不同国家和地区文化相关的系统等级制度。利用浪漫和自传的类型惯例,漫画重新协商异性恋和顺性规范的身份,并设想替代酷儿空间结构。
This article discusses two queer comics from Finland in the 2010s, H-P Lehkonen’s Life Outside the Circle (2017–2018) and Edith Hammar’s Homo Line (2020), analysing them as identity work and acts of queer world-making. Both comics depict migration and foreground identity formation in relation to place. The analysis focuses on the intersectionality of queer identities, marked as minority positions with regard to power structures related to gender and sexuality—where a binary conception of gender and heteronormativity dominates, with systemic hierarchies related to place and different national and regional cultures. Utilising the genre conventions of romance and autobiography, the comics renegotiate hetero- and cis-normative identifications and envision alternative queer spatial formations.