{"title":"克劳斯·曼:《生物小说中的音乐与转换艺术》","authors":"M. Rensen","doi":"10.1080/08989575.2023.2192048","DOIUrl":null,"url":null,"abstract":"Abstract In Symphonie Pathétique (1935) Klaus Mann takes readers into the heart and soul of the famous composer Tchaikovsky. He makes them understand the hardship Tchaikovsky endured as a queer, European-minded composer in Russia’s musical world in the nineteenth century, which is dominated by national thought. Tapping into the transcendent power of music, Mann counters the national frame by highlighting fertile transnational connections in the life and music of his protagonist. As such, the novel is a critical response to the nationalist Nazi-Germany he fled in 1933.","PeriodicalId":37895,"journal":{"name":"a/b: Auto/Biography Studies","volume":"216 1","pages":"55 - 81"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Klaus Mann, Music, and the Art of Transformation in Biofiction\",\"authors\":\"M. Rensen\",\"doi\":\"10.1080/08989575.2023.2192048\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In Symphonie Pathétique (1935) Klaus Mann takes readers into the heart and soul of the famous composer Tchaikovsky. He makes them understand the hardship Tchaikovsky endured as a queer, European-minded composer in Russia’s musical world in the nineteenth century, which is dominated by national thought. Tapping into the transcendent power of music, Mann counters the national frame by highlighting fertile transnational connections in the life and music of his protagonist. As such, the novel is a critical response to the nationalist Nazi-Germany he fled in 1933.\",\"PeriodicalId\":37895,\"journal\":{\"name\":\"a/b: Auto/Biography Studies\",\"volume\":\"216 1\",\"pages\":\"55 - 81\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"a/b: Auto/Biography Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08989575.2023.2192048\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"a/b: Auto/Biography Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08989575.2023.2192048","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Klaus Mann, Music, and the Art of Transformation in Biofiction
Abstract In Symphonie Pathétique (1935) Klaus Mann takes readers into the heart and soul of the famous composer Tchaikovsky. He makes them understand the hardship Tchaikovsky endured as a queer, European-minded composer in Russia’s musical world in the nineteenth century, which is dominated by national thought. Tapping into the transcendent power of music, Mann counters the national frame by highlighting fertile transnational connections in the life and music of his protagonist. As such, the novel is a critical response to the nationalist Nazi-Germany he fled in 1933.
期刊介绍:
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.