{"title":"El Cavaller de Colunya. A Miracle of the Rosary in the Choirbooks of San Pedro Mártir de Toledo","authors":"L. Candelaria","doi":"10.1484/J.VIATOR.2.300198","DOIUrl":null,"url":null,"abstract":"This essay centers on El Cavaller de Colunya (“The Knight of Cologne”), a Spanish miracle of the rosary that appears in the illuminations of choirbooks produced ca. 1490–1510 for the Dominican convent of San Pedro Martir, an important religious institution in Toledo, Spain, that housed a tribunal of the Inquisition. Following an exposition of the miracle, this article traces its rich history in the literature, music, and art of the thirteenth and fourteenth centuries. It concludes by arguing for its contemporary significance to the patrons who commissioned the choirbooks—a wealthy confraternity of the rosary whose membership was strictly limited to the silk weavers of Toledo.","PeriodicalId":39588,"journal":{"name":"Viator - Medieval and Renaissance Studies","volume":"1 1","pages":"221-264"},"PeriodicalIF":0.1000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"32","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Viator - Medieval and Renaissance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.VIATOR.2.300198","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 32
摘要
这篇文章的中心是El Cavaller de Colunya(“科隆骑士”),这是一个西班牙的玫瑰经奇迹,出现在大约1490-1510年为多米尼加圣佩德罗修道院制作的唱诗班的插图中,圣佩德罗修道院是西班牙托莱多的一个重要宗教机构,也是宗教裁判所的一个法庭。继奇迹的阐述,这篇文章追溯其丰富的历史,在文学,音乐和艺术的13和14世纪。最后,它论证了它对委托制作唱诗班的赞助人的当代意义——一个富有的念经协会,其成员严格限于托莱多的丝绸编织者。
El Cavaller de Colunya. A Miracle of the Rosary in the Choirbooks of San Pedro Mártir de Toledo
This essay centers on El Cavaller de Colunya (“The Knight of Cologne”), a Spanish miracle of the rosary that appears in the illuminations of choirbooks produced ca. 1490–1510 for the Dominican convent of San Pedro Martir, an important religious institution in Toledo, Spain, that housed a tribunal of the Inquisition. Following an exposition of the miracle, this article traces its rich history in the literature, music, and art of the thirteenth and fourteenth centuries. It concludes by arguing for its contemporary significance to the patrons who commissioned the choirbooks—a wealthy confraternity of the rosary whose membership was strictly limited to the silk weavers of Toledo.