草根数据行动

IF 0.5 2区 艺术学 0 FILM, RADIO, TELEVISION
Lucy Pei, Roderic N. Crooks
{"title":"草根数据行动","authors":"Lucy Pei, Roderic N. Crooks","doi":"10.1353/cj.2023.a904636","DOIUrl":null,"url":null,"abstract":"M, a professional community organizer in the midwestern United States who works with undocumented youth, talks us through a typical day at work. Her role focuses on the creation, aggregation, and analysis of data using a commercial platform called EveryAction, but she chafes at questions about the procedures, formats, or outputs of data work. Our research team asks a series of questions that prompt respondents such as M to describe the qualities of the data they work with and what they do with it—questions we have used to study other kinds of data professionals, at city offi ces and in public school districts. After several prodding questions that turn again and again to the particulars of data in her work, M fi nally tells our interviewers bluntly, “What I’ve learned from many years, now at this point over ten years of organizing, mostly around immigrant rights, is that yes, maybe numbers and facts do cause a shock factor. But people are motivated and persuaded to change because of their feelings and how they feel about something. And you can use that data to help them feel in a particular way, but that’s where the storytelling comes in.”1 The ongoing public crises of the 2020s illustrate the accelerating datafi cation of contemporary government bodies at all levels. Public life is increasingly organized around engagements with data, especially data in visual form.2 Dashboards produced by national, county, state, and city bureaucracies displayed the grim, unrelenting number of COVID-19 deaths nation-","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Grassroots Data Activism\",\"authors\":\"Lucy Pei, Roderic N. Crooks\",\"doi\":\"10.1353/cj.2023.a904636\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"M, a professional community organizer in the midwestern United States who works with undocumented youth, talks us through a typical day at work. Her role focuses on the creation, aggregation, and analysis of data using a commercial platform called EveryAction, but she chafes at questions about the procedures, formats, or outputs of data work. Our research team asks a series of questions that prompt respondents such as M to describe the qualities of the data they work with and what they do with it—questions we have used to study other kinds of data professionals, at city offi ces and in public school districts. After several prodding questions that turn again and again to the particulars of data in her work, M fi nally tells our interviewers bluntly, “What I’ve learned from many years, now at this point over ten years of organizing, mostly around immigrant rights, is that yes, maybe numbers and facts do cause a shock factor. But people are motivated and persuaded to change because of their feelings and how they feel about something. And you can use that data to help them feel in a particular way, but that’s where the storytelling comes in.”1 The ongoing public crises of the 2020s illustrate the accelerating datafi cation of contemporary government bodies at all levels. Public life is increasingly organized around engagements with data, especially data in visual form.2 Dashboards produced by national, county, state, and city bureaucracies displayed the grim, unrelenting number of COVID-19 deaths nation-\",\"PeriodicalId\":55936,\"journal\":{\"name\":\"JCMS-Journal of Cinema and Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JCMS-Journal of Cinema and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cj.2023.a904636\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2023.a904636","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

M是美国中西部的一名专业社区组织者,他与无证青年一起工作,他向我们讲述了典型的一天工作。她的工作重点是使用一个名为EveryAction的商业平台创建、聚合和分析数据,但她对有关数据工作的过程、格式或输出的问题感到恼火。我们的研究团队提出了一系列问题,促使像M这样的受访者描述他们使用的数据的质量以及他们用这些数据做了什么——我们用这些问题来研究其他类型的数据专业人员,在城市办公室和公立学区。在多次追问她工作中的数据细节之后,M最终直言不讳地告诉我们的采访者,“我从多年来的经验中学到的是,现在已经有十多年的组织经验了,主要是围绕移民权利,是的,也许数字和事实确实会引起震惊。”但是人们会因为自己的感受和对某事的感觉而被激励和说服去改变。你可以用这些数据来帮助他们以一种特定的方式感受,但这就是讲故事的地方。21世纪20年代持续不断的公共危机表明,当代各级政府机构正在加速数据化。公共生活越来越多地围绕与数据的接触,特别是以视觉形式的数据进行组织由国家、县、州和市的官僚机构制作的仪表板显示了全国COVID-19死亡人数的严峻、无情
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Grassroots Data Activism
M, a professional community organizer in the midwestern United States who works with undocumented youth, talks us through a typical day at work. Her role focuses on the creation, aggregation, and analysis of data using a commercial platform called EveryAction, but she chafes at questions about the procedures, formats, or outputs of data work. Our research team asks a series of questions that prompt respondents such as M to describe the qualities of the data they work with and what they do with it—questions we have used to study other kinds of data professionals, at city offi ces and in public school districts. After several prodding questions that turn again and again to the particulars of data in her work, M fi nally tells our interviewers bluntly, “What I’ve learned from many years, now at this point over ten years of organizing, mostly around immigrant rights, is that yes, maybe numbers and facts do cause a shock factor. But people are motivated and persuaded to change because of their feelings and how they feel about something. And you can use that data to help them feel in a particular way, but that’s where the storytelling comes in.”1 The ongoing public crises of the 2020s illustrate the accelerating datafi cation of contemporary government bodies at all levels. Public life is increasingly organized around engagements with data, especially data in visual form.2 Dashboards produced by national, county, state, and city bureaucracies displayed the grim, unrelenting number of COVID-19 deaths nation-
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
JCMS-Journal of Cinema and Media Studies
JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
0.00%
发文量
39
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信