《我的无声尖叫:记忆、创伤时间与瑞克比·海因兹梦境中黑人超现实主义的体现》

4区社会学 Q2 Arts and Humanities

CR-THE NEW CENTENNIAL REVIEW Pub Date : 2019-02-16 DOI:10.14321/CRNEWCENTREVI.18.3.0117

S. Batiste

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引用次数: 2

摘要

你有没有做过这样的梦，当你(试图)尖叫时什么也没有出来…——瑞克比·海因兹《梦境》2011年第56期《梦境》《梦境》《梦境》《梦境》《梦境》《梦境》《梦境》《真实事件》《梦境》讲述了1998年加州鲁比杜市19岁黑人女子蒂莎·米勒被警察枪杀的故事。在河边的加油站附近，她瘫倒在一辆上锁的车里，轮胎漏气了，浑身发抖，口吐白沫，腿上放着一把半自动手枪(66DZ, 2012)。里克比·海因兹并不是简单地记录这一历史恐怖事件，而是通过“米伊莎·米尔斯”(Myeisha Mills)的故事，从这些细节中创造出对生命的沉思、对暴力的承诺、对死亡的普遍存在。“米伊莎·米尔斯”是一名年轻女子，她在九次枪击中幸存下来，最后三次枪击杀死了她。Myeisha醒来进入一个活生生的噩梦，因为她面对死亡的开始

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My's Silent Scream: Memory, Traumatic Time, and the Embodiment of the Black Surreal in Rickerby Hinds's Dreamscape

Ever had one of those dreams where nothing comes out when you [try to] scream . . . –Rickerby Hinds, Dreamscape 2011, 56 TH R O U G H F I C T I V E R E I M A G I N A T I O N, RI C K E R B Y HI N D S’S H I P-H O P P L A Y Dreamscape: A Play Based on True Events retells the 1998 police shooting of Tyisha Miller, a 19-year-old black woman from Rubidoux, California. She was slumped over in a locked vehicle with a flat tire near a Riverside gas station, shaking and foaming at the mouth with a semiautomatic pistol in her lap (66DZ, 2012). Far from simply documenting this historical horror, Rickerby Hinds creates from these details a contemplation of life, the promise of violence, the ubiquity of death via the story of “Myeisha Mills,” a young woman who survives nine gunshots wounds before a final three kill her. Myeisha wakes up into a living nightmare as she faces death at the beginning of the

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来源期刊

CR-THE NEW CENTENNIAL REVIEW HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The New Centennial Review is devoted to comparative studies of the Americas that suggest possibilities for a different future. Centennial Review is published three times a year under the editorship of Scott Michaelsen (Department of English, Michigan State University) and David E. Johnson (Department of Comparative Literature, SUNY at Buffalo). The journal recognizes that the language of the Americas is translation, and that questions of translation, dialogue, and border crossings (linguistic, cultural, national, and the like) are necessary for rethinking the foundations and limits of the Americas.