{"title":"现代俄罗斯电影摄影中的公共叙事","authors":"S. Gerasimov, Pavel S. Tereshchenko","doi":"10.1080/19409419.2020.1726163","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article investigates the narratives and presents analytical profiles of the Russian movies made over a period of three years (2016–2018). The article analyzes, systematizes, and visualizes the dynamics of the main trends and shifts of the narratives in modern Russian cinematography. The analysis demonstrates how the narratives are influenced by support from the government and independent cinematography. The distinction in the narratives of government-sponsored and independent cinematography is examined through visual models based on experts’ narrative evaluation.","PeriodicalId":53456,"journal":{"name":"Russian Journal of Communication","volume":"68 1","pages":"32 - 47"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Public narratives in modern Russian cinematography\",\"authors\":\"S. Gerasimov, Pavel S. Tereshchenko\",\"doi\":\"10.1080/19409419.2020.1726163\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article investigates the narratives and presents analytical profiles of the Russian movies made over a period of three years (2016–2018). The article analyzes, systematizes, and visualizes the dynamics of the main trends and shifts of the narratives in modern Russian cinematography. The analysis demonstrates how the narratives are influenced by support from the government and independent cinematography. The distinction in the narratives of government-sponsored and independent cinematography is examined through visual models based on experts’ narrative evaluation.\",\"PeriodicalId\":53456,\"journal\":{\"name\":\"Russian Journal of Communication\",\"volume\":\"68 1\",\"pages\":\"32 - 47\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russian Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/19409419.2020.1726163\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russian Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19409419.2020.1726163","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Public narratives in modern Russian cinematography
ABSTRACT This article investigates the narratives and presents analytical profiles of the Russian movies made over a period of three years (2016–2018). The article analyzes, systematizes, and visualizes the dynamics of the main trends and shifts of the narratives in modern Russian cinematography. The analysis demonstrates how the narratives are influenced by support from the government and independent cinematography. The distinction in the narratives of government-sponsored and independent cinematography is examined through visual models based on experts’ narrative evaluation.
期刊介绍:
Russian Journal of Communication (RJC) is an international peer-reviewed academic publication devoted to studies of communication in, with, and about Russia and Russian-speaking communities around the world. RJC welcomes both humanistic and social scientific scholarly approaches to communication, which is broadly construed to include mediated information as well as face-to-face interactions. RJC seeks papers and book reviews on topics including philosophy of communication, traditional and new media, film, literature, rhetoric, journalism, information-communication technologies, cultural practices, organizational and group dynamics, interpersonal communication, communication in instructional contexts, advertising, public relations, political campaigns, legal proceedings, environmental and health matters, and communication policy.