{"title":"打破坏","authors":"David P. Pierson","doi":"10.1093/obo/9780199791286-0336","DOIUrl":null,"url":null,"abstract":"Breaking Bad is an American television crime dramatic series created and developed by Vince Gilligan. The series aired on AMC cable channel from 20 January 2008 to 29 September 2013 and reflected American middle-class anxieties during the period of the Great Recession (2007–2009). Many TV critics consider Breaking Bad to be one of the best television series of all time. Breaking Bad tells the story of Walter White (Bryan Cranston), a put-upon, underpaid high school chemistry teacher, who upon learning that he has stage 3 lung cancer decides to begin making and selling crystal methamphetamine with Jesse Pinkman, a former student, to secure his (White’s) family’s financial future. The series title is derived from a southern US colloquialism, “breaking bad,” which signifies a person who has decided to follow a life of crime or immorality. Gilligan has described White’s character transformation as being from the reserved schoolteacher Mr. Chips to the brutal drug lord Scarface. The series is set in Albuquerque, New Mexico. The program’s recurrent images of wide-open western vistas, deserts, and rugged outlaws have led some critics to label the series a modern neo-western. The show has fostered a strong audience following that has allowed Gilligan and AMC to produce the spin-off, prequel series Better Call Saul in 2015 and a sequel film, El Camino: A Breaking Bad Movie, released on Netflix and select theaters in 2019. Sony Entertainment Television produced a Spanish-language version of the series, titled Metástasis, in 2014. Breaking Bad has served as fodder for important scholarship in media studies, cultural studies, and film and television studies. Scholars have focused their work on a range of topics, including Disability and Impairment, Economics and Social Class, Gender, Genre and Narrative, Pedagogy, Production Culture, Race and Ethnicity, and Science.","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Breaking Bad\",\"authors\":\"David P. Pierson\",\"doi\":\"10.1093/obo/9780199791286-0336\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Breaking Bad is an American television crime dramatic series created and developed by Vince Gilligan. The series aired on AMC cable channel from 20 January 2008 to 29 September 2013 and reflected American middle-class anxieties during the period of the Great Recession (2007–2009). Many TV critics consider Breaking Bad to be one of the best television series of all time. Breaking Bad tells the story of Walter White (Bryan Cranston), a put-upon, underpaid high school chemistry teacher, who upon learning that he has stage 3 lung cancer decides to begin making and selling crystal methamphetamine with Jesse Pinkman, a former student, to secure his (White’s) family’s financial future. The series title is derived from a southern US colloquialism, “breaking bad,” which signifies a person who has decided to follow a life of crime or immorality. Gilligan has described White’s character transformation as being from the reserved schoolteacher Mr. Chips to the brutal drug lord Scarface. The series is set in Albuquerque, New Mexico. The program’s recurrent images of wide-open western vistas, deserts, and rugged outlaws have led some critics to label the series a modern neo-western. The show has fostered a strong audience following that has allowed Gilligan and AMC to produce the spin-off, prequel series Better Call Saul in 2015 and a sequel film, El Camino: A Breaking Bad Movie, released on Netflix and select theaters in 2019. Sony Entertainment Television produced a Spanish-language version of the series, titled Metástasis, in 2014. Breaking Bad has served as fodder for important scholarship in media studies, cultural studies, and film and television studies. Scholars have focused their work on a range of topics, including Disability and Impairment, Economics and Social Class, Gender, Genre and Narrative, Pedagogy, Production Culture, Race and Ethnicity, and Science.\",\"PeriodicalId\":41388,\"journal\":{\"name\":\"Journal of Italian Cinema and Media Studies\",\"volume\":\"20 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-09-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Italian Cinema and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/obo/9780199791286-0336\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Italian Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/obo/9780199791286-0336","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Breaking Bad is an American television crime dramatic series created and developed by Vince Gilligan. The series aired on AMC cable channel from 20 January 2008 to 29 September 2013 and reflected American middle-class anxieties during the period of the Great Recession (2007–2009). Many TV critics consider Breaking Bad to be one of the best television series of all time. Breaking Bad tells the story of Walter White (Bryan Cranston), a put-upon, underpaid high school chemistry teacher, who upon learning that he has stage 3 lung cancer decides to begin making and selling crystal methamphetamine with Jesse Pinkman, a former student, to secure his (White’s) family’s financial future. The series title is derived from a southern US colloquialism, “breaking bad,” which signifies a person who has decided to follow a life of crime or immorality. Gilligan has described White’s character transformation as being from the reserved schoolteacher Mr. Chips to the brutal drug lord Scarface. The series is set in Albuquerque, New Mexico. The program’s recurrent images of wide-open western vistas, deserts, and rugged outlaws have led some critics to label the series a modern neo-western. The show has fostered a strong audience following that has allowed Gilligan and AMC to produce the spin-off, prequel series Better Call Saul in 2015 and a sequel film, El Camino: A Breaking Bad Movie, released on Netflix and select theaters in 2019. Sony Entertainment Television produced a Spanish-language version of the series, titled Metástasis, in 2014. Breaking Bad has served as fodder for important scholarship in media studies, cultural studies, and film and television studies. Scholars have focused their work on a range of topics, including Disability and Impairment, Economics and Social Class, Gender, Genre and Narrative, Pedagogy, Production Culture, Race and Ethnicity, and Science.
期刊介绍:
Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.