作为历史和文化遗产的“瓦伦西亚市”国际管乐队比赛:分析大号椅子上的创新表演曲目

Javier Monteagudo Mañas, Conrado Enrique Carrascosa López, José Pascual Hernández Farinós
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引用次数: 0

摘要

自上世纪末以来,作曲家在交响乐管乐队作品中赋予大号的角色经历了巨大的演变,这反映在更多的独奏和其他杰出的乐器节选中。本文旨在从大号部分入手,对大部分交响乐管乐团的曲目进行梳理,对其中最优秀的选段进行检索、筛选和分析,并提出一份创新的建议汇编。由于这项工作属于一个更大的研究,它建立了一个开始,从作曲家和他们在一个特殊的事件,代表了瓦伦西亚音乐文化的里程碑作品的研究:国际管乐队比赛«瓦伦西亚市»。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The International Wind Band Contest «City of Valencia» as historical and cultural heritage: analysis of the innovative performed repertoire from the tuba chair
The role that composers have granted to the tuba within their works for symphonic wind band has undergone a great evolution since the end of the last century, which is reflected in a greater presence of solos and other outstanding excerpts for this instrument. This article aims to make a first approach to the bulk of symphonic wind band repertoire from the part of the tuba, with the aim of searching, selecting and analysing the most outstanding excerpts, and presenting an innovated proposal compilation. Since this work belongs to a larger research, it establishes a beginning from the study of the composers and their most performed works in a special event which represents a milestone in the Valencian musical culture: the International Wind Band Contest «City of Valencia».
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