重新记录美国对巴拿马的入侵

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION

JCMS-Journal of Cinema and Media Studies Pub Date : 2023-06-01 DOI:10.1353/cj.2023.a904628

Stephen Woo

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引用次数: 0

摘要

摘要:本文以电影《Diciembres》(十二月，Enrique Castro Ríos, 2018)为例，详细介绍了巴拿马运河从建设到随后争夺控制权的斗争与电影早期发展之间的历史联系。此外，文章还询问了分区实践，这些分区实践总体上反映了运河和电影院的逻辑。这一论点将电影理论和非殖民化思想与Diciembres进行了对话，Diciembres讲述了1989年美国入侵巴拿马的故事，因为这部电影的正式运作证明了在de/殖民想象中“接触区”的概念。

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Re-documenting the US Invasion of Panamá amid the Contact Zone in Diciembres

abstract:Using the film Diciembres (Decembers, Enrique Castro Ríos, 2018) as its case study, this article details the historical link between the Panama Canal—from its construction to ensuing struggles for its control—and the early development of cinema. The article moreover interrogates the zoning practices that inform the logics of both the canal and cinema in general. The argument puts film theory and decolonial thought into conversation with Diciembres, which narrativizes the 1989 US invasion of Panamá, as the formal operation of this film demonstrates yet transgresses the notion of a "contact zone" within de/colonial imaginaries.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

自引率

0.00%

发文量