教学RAP释义策略提升读者表现

Maha Mahmoud Shawket, Manal Omar Mousa
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引用次数: 0

摘要

书写文字的视野(必须是看得见的,空间映射的)本质上不同于听觉。当我们作为听众倾听时,我们只能作为个体阅读印刷材料。身体随着声音的形成和振动而形成,而声音“在发音的那一刻消失”,而写作“将单词从现场呈现中分离出来,只留下口头单词”。然而,作为演讲的写作和关于演讲的写作对工作至关重要,有人可能会说,源于口头传统的创意写作不仅缩小了写作和声音之间的距离,而且还拉近了它们之间的距离。如果说言语“消失”了,那么创造性写作却保留着它的痕迹。根据Richard和Willy(2002)的观点,写作被认为是一种主动的技能,需要输出而不是识别,因此,第二语言作者必须注意“高层次的计划和安排技能和较低层次的拼写、标点等技能”。学生们不仅要掌握获取和整理思想的才能,还要掌握用清晰的散文表达这些思想的艺术。因此,可以有效地发送消息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Teaching RAP Paraphrasing Strategy for Leveling-Up Readers Performance
The visual field of the written word (writing must be seen, spatially mapped) is essentially distinct from the auditory field. We can only read printed material as individuals while we listen as an audience. The body forms and vibrates with the voice, which "disappears the moment it is pronounced," whereas writing "separates the word from the live presentation, where only spoken words may remain". However, writing as speech and writing about speech contribute crucial elements to work, and one might argue that creative writing, which sprang from an oral tradition, not only minimizes the distance between writing and voice but also feeds on their closeness. If speech "disappears," then creative writing maintains its traces alive. According to Richard and Willy (2002), writing is considered an active skill that demands output more than recognition, and hence, Second language writers must take notice of "the higher level skills of planning and arrange and the lower-level skills of spelling, punctuation, and so on". The students are expected to acquire not just the talent of acquiring and arranging ideas but also the art of expressing those ideas in legible prose. Therefore, the messages may be sent effectively.
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