作者、校勘者和伪造者:在中世纪晚期阿维尼翁恢复拉比文化

Pinchas Roth
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摘要

摘要:本文探讨了14世纪末生活在阿维尼翁或其附近的四位犹太知识分子的作品:艾萨克·德·拿特、约瑟夫·Kimḥi、以利以谢·克雷斯加和雅各布·所罗门。这些作者都写了不同类型的拉比书,揭示了主导他们城市的共同主题和关注点。他们的作品表达了——有时是明确的,但通常是隐含的,通过他们的结构——对中世纪晚期普罗旺斯犹太人知识和公共记忆状态的根深蒂固的焦虑。他们对身份、魔法、赞助和知识保存的关注都为神秘的摩西·波塔雷尔奠定了基础。无耻的自我推销者和巧妙的文学伪造者,博塔雷尔是中世纪晚期普罗旺斯拉比文化的成就和弱点的一面镜子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Authors, Collators, and Forgers: Recovering Rabbinic Culture in Late Medieval Avignon
Abstract:This article explores the works of four Jewish intellectuals who lived in or near Avignon at the end of the fourteenth century: Isaac de Lattes, Joseph Kimḥi, Eliezer Crescas, and Jacob Salomon. Each of these authors wrote a different type of rabbinic book, shedding light on shared themes and concerns that dominated their city. Their works express—sometimes explicitly, but often implicitly and through their very structure—deep-seated anxieties about the state of Jewish knowledge and communal memory in late medieval Provence. Their concerns with the construction of identity, magic, patronage, and the preservation of knowledge all set the stage for the enigmatic Moses Botarel. Shameless self-promoter and ingenious literary forger, Botarel served as a mirror of the achievements and vulnerabilities of late medieval rabbinic culture in Provence.
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