Katulongkon: reche -马普切人头部象征的背景和跨文化背景

IF 0.5 4区 历史学 Q3 ANTHROPOLOGY
Rodrigo Moulian Tesmer, M. P. Poblete
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引用次数: 1

摘要

这篇论文将Reche中使用的头部象征符号的变体置于背景中,Reche是智利南部原始居民的民族名称,直到18世纪,今天被称为马普切。在揭示其跨文化背景的同时,以文化内术语提供信息。我们探索与这种象征主义相关的“符号星座”。也就是说,我们读到了一系列的意义关系,这些意义关系与在战争中杀死敌人的头的做法,斩首囚犯的仪式,将他们的头骨用作奖杯和仪式工具,以及为了社会群体的繁衍而保存或埋葬亲属和兄弟的头有意义。这些习俗在南锥体的美洲印第安人群体中反复出现和持续存在,以及与之相关的表征体系,表明雷切马普切人的头是泛安第斯和亚马逊文化模式的一部分。这意味着围绕这种文化模式的矛盾传统在这个宏观区域已经形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Katulongkon: contextualización y antecedentes transculturales del simbolismo de la cabeza entre los Reche-Mapuche
This paper contextualizes the variants of the symbolism of the head in use among the Reche,which was the ethnic name for the original inhabitants of southern Chile until the eighteenthcentury, today named Mapuche. Information is provided in intracultural terms while exposing itstranscultural background. We explore the ‘semiotic constellations’ associated with this symbolism.That is, we read series of meaning relationships that make sense to the practice of taking headsof enemies killed in war, the ritual of beheading the prisoners, the use of their skulls as trophiesand ceremonial instruments, and the preservation or burial of the heads of relatives and brethrenfor the reproduction of the social group. The recurrence and persistence of these practices amongAmerindian groups in the Southern Cone, as well as the systems of representations about them,show the symbolism of the head of the Reche Mapuche as part of a Pan-Andean and Amazoniancultural pattern. This means that a cotradition around this cultural pattern has developed in thismacro region.
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来源期刊
CiteScore
1.20
自引率
20.00%
发文量
0
审稿时长
52 weeks
期刊介绍: ESTUDIOS ATACAMEÑOS, Arqueología y Antropología Surandinas publica y difunde contribuciones originales e inéditas resultantes de investigaciones sobre temas de arqueología, antropología social, etnohistoria y bioantropología del centro-sur andino. Es una revista de circulación semestral, y el órgano oficial de difusión del Instituto de Investigaciones Arqueológicas y Museo (IIAM), de la Universidad Católica del Norte. Fue creada el año 1973 por el padre Gustavo Le Paige s. j., manteniendo desde entonces una continuidad en su publicación.
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