蜂巢的精神

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
REVUE ROMANE Pub Date : 2020-06-03 DOI:10.1075/RRO.19016.ROD
J. Rodero
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引用次数: 6

摘要

《蜂窝精神》中的所有主要人物都表现出与边缘和生存的某种联系。他们要么处于社会习俗的边缘,要么是痛苦的特定历史事件(西班牙内战)的幸存者。这种联系通过怪物的形象以一种明显而独特的方式表现出来。本文旨在突出怪物概念在电影中的中心地位,并强调这些怪物表现形式的社会政治意义。因此,无论是在佛朗哥独裁开始的具体背景下,还是在权力结构面临挑战的更抽象的背景下,这都是对埃里斯电影中怪物形象作为政治和社会代理人的解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
El espíritu de la colmena
All the main characters in The Spirit of the Beehive show some type of connection with marginality and survival. They are either at the margins of social convention or survivors of harrowing particular historical events (Spanish Civil War). This connection reveals itself in a conspicuous and distinct fashion through the monster figure. This article intends to highlight the centrality of the concept of monstrosity in the film as well as emphasize the socio-political significance of these manifestations of the monster. It is, therefore, a reading of the monster figure in Erice’s film as a political and social agent both in the specific context at the outset of Franco’s dictatorship and in the more abstract context of the challenging of power structures.
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来源期刊
REVUE ROMANE
REVUE ROMANE Multiple-
CiteScore
0.50
自引率
0.00%
发文量
9
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