绘制艺术史:用学生绘制的地图加强德国艺术史的教学

IF 0.2 0 ART
Art Documentation Pub Date : 2019-03-01 DOI:10.1086/703509
B. V. Hoesen, Laura E. Rocke, Ann Medaille
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引用次数: 0

摘要

虽然艺术史学生经常被要求写研究论文,但他们经常难以理解他们遇到的一些更抽象的结构。他们可能很难理解研究在探究构成复杂历史时期的人、地点和事件之间的关系方面所起的作用。本文描述了一位艺术史教授、一位图书管理员和一位数字人文专家之间的合作,在合作中,学生们被教导如何为1900年至今的德国艺术艺术史课程进行研究,然后通过用ArcGIS创建的故事地图将研究可视化。通过这些测绘项目,学生们被鼓励通过绘制社会网络、艺术家工作室、展览场地、艺术博物馆、建筑和其他重要历史遗址之间的空间关系,在物理层面上参与德国艺术史,这些历史遗址是主要艺术运动发展不可或缺的一部分。这篇案例研究文章概述了该项目,包括其学习成果、教学策略、学生产品和评估数据。此外,它还描述了如何通过不同的迭代开发项目。最终,这个合作的、跨学科的项目可能会提供一种模式,一般来说,可视化,特别是地图创作,可以作为一种教学策略,通过开辟新的概念领域,激发有趣的问题,产生独特的答案,并以更物理的、空间的方式参与艺术史,使艺术史对学生来说栩栩如生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mapping Art History: Enhancing the Teaching of German Art History with Student-Created Maps
While art history students frequently are required to write research papers, they often have trouble understanding some of the more abstract constructs they encounter. They may struggle to grasp the role that research plays in probing questions about the relationships between people, places, and events that compose complex historical periods. This article describes a collaboration between an art history professor, a librarian, and a digital humanities specialist in which students were taught how to conduct research for an art history course on German art 1900 to the present and then visualize that research through story maps created with ArcGIS. Through these mapping projects, students were encouraged to engage with the history of German art on a physical level by mapping spatial relationships between social networks, artists’ studios, exhibition venues, art museums, architecture, and other important historical sites that were integral to the development of major art movements. This case study article outlines the project, including its learning outcomes, pedagogical strategies, student products, and assessment data. In addition, it describes how the project developed through different iterations. Ultimately, this collaborative, interdisciplinary project may provide a model for ways that visualization in general and map creation in particular can be used as a teaching strategy to make art history come alive for students by opening new conceptual territory, prompting intriguing questions, generating unique answers, and engaging art history in a more physical, spatial manner.
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CiteScore
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