{"title":"整个肉欲的立体声:伍斯特乐队阶段布莱希特","authors":"W. B. Worthen","doi":"10.1162/pajj_a_00607","DOIUrl":null,"url":null,"abstract":"writing aloud is not phonological but phonetic: its aim is not the clarity of messages, the theater of emotions; what it searches for (in a perspective of bliss) are the pulsional incidents, the language lined with flesh, a text where we can hear the grain of the throat, the patina of consonants, the voluptuousness of vowels, a whole carnal stereophony .","PeriodicalId":42437,"journal":{"name":"PAJ-A JOURNAL OF PERFORMANCE AND ART","volume":"162 1","pages":"28-39"},"PeriodicalIF":0.1000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"A Whole Carnal Stereophony: The Wooster Group Stages Brecht\",\"authors\":\"W. B. Worthen\",\"doi\":\"10.1162/pajj_a_00607\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"writing aloud is not phonological but phonetic: its aim is not the clarity of messages, the theater of emotions; what it searches for (in a perspective of bliss) are the pulsional incidents, the language lined with flesh, a text where we can hear the grain of the throat, the patina of consonants, the voluptuousness of vowels, a whole carnal stereophony .\",\"PeriodicalId\":42437,\"journal\":{\"name\":\"PAJ-A JOURNAL OF PERFORMANCE AND ART\",\"volume\":\"162 1\",\"pages\":\"28-39\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PAJ-A JOURNAL OF PERFORMANCE AND ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/pajj_a_00607\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PAJ-A JOURNAL OF PERFORMANCE AND ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/pajj_a_00607","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
A Whole Carnal Stereophony: The Wooster Group Stages Brecht
writing aloud is not phonological but phonetic: its aim is not the clarity of messages, the theater of emotions; what it searches for (in a perspective of bliss) are the pulsional incidents, the language lined with flesh, a text where we can hear the grain of the throat, the patina of consonants, the voluptuousness of vowels, a whole carnal stereophony .
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