在外貌和文化之间:在阿塞拉(NA)的高卢地区,古铜色墓地的例子

Viviana Germana Mancusi, G. Bonifacio
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引用次数: 1

摘要

2014年10月,对那不勒斯和坎塞洛之间的那不勒斯-巴里铁路进行了初步考古调查,发现了一个可以追溯到铜器时代晚期和青铜时代早期的墓地。考古调查填补了坎帕尼亚一个重要的考古空白,因为从铜器时代到青铜时代的过渡很难在这个地区记录下来。由于Gaudello墓地的发现,有可能确定一个文化群体对该领土的占领,该文化群体赋予了一种非常奇特的血管生产生命,可以将其解读为拉特兰萨陶器形状与贝尔烧杯和塞蒂娜装饰之间的完全杂交。球体形状,有一个帽或“S”型轮廓,装饰类似于“拖曳梳子”。同样,它也强调了在克拉尼斯河附近占领阿塞拉领土的人们是如何吸收外部影响并参与交换电路的,这要归功于在坟墓里发现了来自塞蒂纳方面和贝尔烧杯地平线的戟和别针。在这个墓地中,Bell Beaker和Cetina元素的同化产生了一种真正形式的“杂交”,不能封闭在类型相中,但可以定义为来自更多地区的更多类型的影响混合在一起的文化视野。以前的Laterza地平线的遗产丢失了,放弃了植根于它的物质生产,相反,显示出对外部影响的高度吸收,成为一种自主的解释和新模式的混合,从中产生了不同的生产,与不同的文化矩阵相关。一个巨大的融合盆地被创造出来,不同的元素融合在一起,产生混合、相互作用和异质人物之间的联系,这些人物被重新加工,并被决定在自己的葬礼区域中使用这些特征的人所接管。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tra facies e culture: il caso della necropoli del Bronzo Antico in località Gaudello ad Acerra (NA)
Preliminary archaeological investigations between Naples and Cancello on the Naples-Bari railway track in October 2014, brought a necropolis to the light that can be dated between the Late Copper Age and the Early Bronze Age. The archeological investigations made it possible to fill an important archaeological gap in Campania as the transition from the Copper Age to the Bronze Age is difficult to document in this area. Thanks to the discovery of the necropolis of Gaudello it has been possible to identify an occupation of the territory by a cultural group that gives life to a very peculiar vascular production which can be read as a full hybridization between Laterza pottery shapes and Bell Beaker and Cetina decorations. Globular shapes are created, with a cap or with a “S”-profile with decorations similar to “dragged comb ware”. Likewise it is highlighted how the people who occupied the Acerra territory, near the Clanis river, were absorptive for external influences and participated in exchange circuits thanks to which inside the tombs halberds and pins from the Cetina aspect and Bell Beaker horizon are found. In this necropolis from the assimilation of the Bell Beaker and Cetina elements arises a real form of “hybridisation”, not enclosable in a typological facies, but which can be defined as a cultural horizon where more types of influences coming from more areas are mixed. The legacy of the previous Laterza horizon is lost, abandoning the material production that was rooted with it, showing, instead, a high degree of absorption of external influences that become an autonomous interpretation and mixture of new models from which arises a different production, related to different cultural matrices. A vast basin of syncretism is created where different elements merge, generating mixtures, interactions and associations between heterogeneous characters that are reworked and taken over by people who decided to use these traits within their own funeral areas.
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