{"title":"约翰·克里斯蒂安·巴赫","authors":"Paul E. Corneilson","doi":"10.1093/obo/9780199757824-0286","DOIUrl":null,"url":null,"abstract":"Johann Christian Bach, the youngest son of Johann Sebastian Bach (b. 1685–d. 1750), was one of the originators of the Classical style, an important composer and concert organizer in London. Born in Leipzig on 5 September 1735, J. C. Bach began his musical training under his father and mother, Anna Magdalena (b. 1701– d. 1760), and continued his studies in Berlin with his half-brother, Carl Philipp Emanuel Bach (b. 1714–d. 1788), after his father died in July 1750. In 1755, J. C. Bach went to Italy, studied with Padre Martini in Bologna, converted to the Roman Catholic faith, and eventually was appointed organist at the Milan Cathedral, where he composed much Latin church music. After receiving commissions for an opera in Turin (Artaserse in 1760) and two operas for the Teatro San Carlo in Naples (Catone in Utica and Alessandro nell’Indie in 1761–1762), J. C. Bach was called to London, where he served as music director at the King’s Theater in 1762–1763 (writing two operas that season, Orione and Zanaida), and he became Music Master to Queen Charlotte. With Carl Friedrich Abel, Bach organized a series of concerts at various locations in London. He continued to write operas and one oratorio for London, plus two operas for Mannheim (Temistocle in 1772 and Lucio Silla in 1775) and one for Paris (Amadis de Gaule in 1779). His keyboard and instrumental music was widely published, and he was admired by the young Mozart, who met him during his visit to London in 1764. J. C. 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Bach began his musical training under his father and mother, Anna Magdalena (b. 1701– d. 1760), and continued his studies in Berlin with his half-brother, Carl Philipp Emanuel Bach (b. 1714–d. 1788), after his father died in July 1750. In 1755, J. C. Bach went to Italy, studied with Padre Martini in Bologna, converted to the Roman Catholic faith, and eventually was appointed organist at the Milan Cathedral, where he composed much Latin church music. After receiving commissions for an opera in Turin (Artaserse in 1760) and two operas for the Teatro San Carlo in Naples (Catone in Utica and Alessandro nell’Indie in 1761–1762), J. C. Bach was called to London, where he served as music director at the King’s Theater in 1762–1763 (writing two operas that season, Orione and Zanaida), and he became Music Master to Queen Charlotte. With Carl Friedrich Abel, Bach organized a series of concerts at various locations in London. 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引用次数: 0
摘要
约翰·克里斯蒂安·巴赫,约翰·塞巴斯蒂安·巴赫(生于1685-d)最小的儿子。1750年),是古典风格的鼻祖之一,是伦敦重要的作曲家和音乐会组织者。巴赫于1735年9月5日出生在莱比锡,他开始在父亲和母亲安娜·玛格达莱娜(1701 - 1760)的指导下接受音乐训练,并与同父异母的兄弟卡尔·菲利普·伊曼纽尔·巴赫(1714-d)一起在柏林继续学习。1788年),他的父亲于1750年7月去世。1755年,巴赫前往意大利,在博洛尼亚师从马蒂尼神父,皈依罗马天主教,并最终被任命为米兰大教堂的管风琴师,在那里他创作了许多拉丁教堂音乐。巴赫在都灵接受了一部歌剧(1760年的《阿尔塔塞塞》)和那不勒斯圣卡洛剧院的两部歌剧(1761-1762年的《尤蒂卡的卡通》和《亚历山德罗·奈尔的indie》)的委托后,被召唤到伦敦,在1762-1763年担任国王剧院的音乐总监(在那个季节创作了两部歌剧《奥里奥内》和《扎内达》),他成为夏洛特女王的音乐大师。巴赫与卡尔·弗里德里希·阿贝尔在伦敦的不同地点组织了一系列音乐会。他继续为伦敦创作歌剧和一部清唱剧,为曼海姆创作了两部歌剧(1772年的Temistocle和1775年的Lucio Silla),为巴黎创作了一部歌剧(1779年的Amadis de gaulle)。他的键盘和器乐作品被广泛出版,年轻的莫扎特在1764年访问伦敦时遇到了他,他很欣赏他。巴赫是他家族中最具世界性的作曲家;他与马蒂尼保持着长期的通信,他的肖像由托马斯·庚斯伯勒(Thomas Gainsborough)绘制,供马蒂尼收藏。
Johann Christian Bach, the youngest son of Johann Sebastian Bach (b. 1685–d. 1750), was one of the originators of the Classical style, an important composer and concert organizer in London. Born in Leipzig on 5 September 1735, J. C. Bach began his musical training under his father and mother, Anna Magdalena (b. 1701– d. 1760), and continued his studies in Berlin with his half-brother, Carl Philipp Emanuel Bach (b. 1714–d. 1788), after his father died in July 1750. In 1755, J. C. Bach went to Italy, studied with Padre Martini in Bologna, converted to the Roman Catholic faith, and eventually was appointed organist at the Milan Cathedral, where he composed much Latin church music. After receiving commissions for an opera in Turin (Artaserse in 1760) and two operas for the Teatro San Carlo in Naples (Catone in Utica and Alessandro nell’Indie in 1761–1762), J. C. Bach was called to London, where he served as music director at the King’s Theater in 1762–1763 (writing two operas that season, Orione and Zanaida), and he became Music Master to Queen Charlotte. With Carl Friedrich Abel, Bach organized a series of concerts at various locations in London. He continued to write operas and one oratorio for London, plus two operas for Mannheim (Temistocle in 1772 and Lucio Silla in 1775) and one for Paris (Amadis de Gaule in 1779). His keyboard and instrumental music was widely published, and he was admired by the young Mozart, who met him during his visit to London in 1764. J. C. Bach was the most cosmopolitan composer of his family; he maintained a long correspondence with Martini, and his portrait was painted by Thomas Gainsborough for Martini’s extensive collection.
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.