选自摩尔的《穆加贝的遗产:津巴布韦的政变、阴谋和权力自负》

D. Moore
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引用次数: 1

摘要

在尝试从理论和背景上介绍穆加贝的遗产之后,我在主菜单上点了一些类似于约斯特·方丹(Joost Fontein)几乎同时出版的关于津巴布韦死亡政治的书中的主要内容:死亡。我相信joost会同意这样的结局几乎不意味着“结束”。结束即是一个新的开始,我发现罗伯特·穆加贝(Robert Mugabe)确实走到了他生命的最后阶段,我在SAFM的《日出》(Sunrise)节目中讲述了斯蒂芬·格鲁特(Stephen Groote)匆匆召集津巴布韦的叛乱分子格里斯(grises)的墓志铭。令人惊讶的是(对我来说),除了赞美之外,没有人提到穆加贝在津巴布韦解放战争期间学习了许多他的贸易技巧。在2019年9月6日上午的采访结束时,我试图弥补其中的一些空白,但在写这本书时,我发现作家珀西·兹沃穆亚(Percy Zvomuya)对历史的钻研反映了我的兴趣。Zvomuya把注意力集中在20世纪70年代中期,穆加贝的遗产被认为是穆加贝政治决策不可或缺的一部分:他有能力摆脱那些他认为挑战他的人。Zvomuya从不犯错的文学技巧击中了一些杰出作家对历史和政治的看法,包括格雷厄姆·格林,《非洲争论》杰出的总编辑斯蒂芬妮·基钦最喜欢的作家之一。我把Zvomuya和他对我的故事的解读带进了这些节选:我欠他这本书的文学遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Excerpt from Moore’s Mugabe’s Legacy: Coups, Conspiracies, and the Conceits of Power in Zimbabwe
After an attempt at a theoretical and contextual introduction to Mugabe’s Legacy, I dug into the main menu with something akin to the mainstay of Joost Fontein’s nearly simultaneously published book on the politics of death in Zimbabwe: a death. I am sure Joostwould agree that such a denouement hardly means ‘the end’. My end-that-is-a-new-beginning entailed the somewhat magical way I discovered that Robert Mugabe had indeed reached the final point of his mortal coil, and my recounting of Stephen Groote’s hastily rallied Zimbabwean éminence activistes grises’ epitaphs on SAFM’s Sunrise. Surprisingly (to me), none of them mentioned in other than laudatory mode Mugabe’s learning many of his trade’s tricks during Zimbabwe’s liberation war. I tried to remedy some of such lacunae at the end of the interviews on that September 6, 2019 morning, but when writing the book discovered writer Percy Zvomuya’s historical delving reflected my interests. Zvomuya zeroed in on the mid-1970s moment Mugabe’s Legacy takes as integral to Mugabe’s political making: that being his ability to get rid of those he thought challenged him. Zvomuya’s never-erring literary marksmanship hit on some remarkable writers’ takes on history and politics, including Graham Greene, one of African Arguments brilliant managing editor Stephanie Kitchen’s favourites. I brought Zvomuya and his interpretations to my story in these excerpts: I owe him the book’sliterary legacy.
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