{"title":"\"Clochetin还是Sa-Sa王国\"","authors":"Marceline Desbordes-Valmore, Adrion Dula","doi":"10.13110/MARVELSTALES.35.1.0165","DOIUrl":null,"url":null,"abstract":"Abstract:The nineteenth-century French writer, actress, and poet Marceline Desbordes-Valmore is still celebrated today for her innovative use of the eleven-syllable line in her poetry and is recognized as an important precursor of poets in the French Romantic tradition. Her vast collection of prose writings contains only one conte merveilleux or wonder tale, first published in her 1849 collection Les Anges de famille (Angels of the Family). The tale, \"Clochetin or the Kingdom of Sa-Sa,\" blurs the lines between imagination and reason, the dreamworld and reality, and also contains a negative didactic metacommentary on the genre of the fairy tale.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"156 1","pages":"165 - 181"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Clochetin or the Kingdom of Sa-Sa\\\"\",\"authors\":\"Marceline Desbordes-Valmore, Adrion Dula\",\"doi\":\"10.13110/MARVELSTALES.35.1.0165\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The nineteenth-century French writer, actress, and poet Marceline Desbordes-Valmore is still celebrated today for her innovative use of the eleven-syllable line in her poetry and is recognized as an important precursor of poets in the French Romantic tradition. Her vast collection of prose writings contains only one conte merveilleux or wonder tale, first published in her 1849 collection Les Anges de famille (Angels of the Family). The tale, \\\"Clochetin or the Kingdom of Sa-Sa,\\\" blurs the lines between imagination and reason, the dreamworld and reality, and also contains a negative didactic metacommentary on the genre of the fairy tale.\",\"PeriodicalId\":42276,\"journal\":{\"name\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"volume\":\"156 1\",\"pages\":\"165 - 181\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/MARVELSTALES.35.1.0165\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/MARVELSTALES.35.1.0165","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:19世纪法国作家、女演员、诗人马塞琳·德斯博尔德·瓦尔莫尔(Marceline Desbordes-Valmore)在诗歌中创新地使用了十一音节行,被认为是法国浪漫主义传统诗人的重要先驱。她的大量散文集中只有一个故事,首次出版于她1849年的文集《家庭天使》。这个名为“Clochetin or The Kingdom of Sa-Sa”的故事模糊了想象与理性、梦境与现实之间的界限,也包含了对童话类型的负面说教性元评论。
Abstract:The nineteenth-century French writer, actress, and poet Marceline Desbordes-Valmore is still celebrated today for her innovative use of the eleven-syllable line in her poetry and is recognized as an important precursor of poets in the French Romantic tradition. Her vast collection of prose writings contains only one conte merveilleux or wonder tale, first published in her 1849 collection Les Anges de famille (Angels of the Family). The tale, "Clochetin or the Kingdom of Sa-Sa," blurs the lines between imagination and reason, the dreamworld and reality, and also contains a negative didactic metacommentary on the genre of the fairy tale.
期刊介绍:
Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.