{"title":"伊拉克巷子里的普罗米修斯:Muḥammad Khuḍayyir二十一世纪的adab","authors":"F. Caiani, Catherine Cobham","doi":"10.1386/jciaw_00081_1","DOIUrl":null,"url":null,"abstract":"The Iraqi writer Muḥammad Khuḍayyir has in recent years published numerous fictional sketches and articles online. One of the factors that has led to this late flurry of production has been the perilous state of Iraqi culture, especially after 2003. Khuḍayyir has reacted to the threats to the Iraqi cultural memory by writing articles in which he pays imaginative homage to the writers of previous generations (like Mahdī ʿĪsā al-Ṣaqr). The imagery Khuḍayyir uses in his articles is a crucial part of the innovative way in which he tries to preserve a ‘memory of literature’. However, in his fictional sketches, Khuḍayyir evokes a poetics of fire which expresses his scepticism as to whether a recovery of the literature of the past can have real purchase in the current Iraqi cultural landscape. Khuḍayyir’s use of the internet to disseminate his cultural narratives confirms the ambivalent cultural space he chooses to inhabit.","PeriodicalId":36575,"journal":{"name":"Journal of Contemporary Iraq and the Arab World","volume":"12 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Prometheus in the Iraqi alley: Muḥammad Khuḍayyir’s twenty-first century adab\",\"authors\":\"F. Caiani, Catherine Cobham\",\"doi\":\"10.1386/jciaw_00081_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Iraqi writer Muḥammad Khuḍayyir has in recent years published numerous fictional sketches and articles online. One of the factors that has led to this late flurry of production has been the perilous state of Iraqi culture, especially after 2003. Khuḍayyir has reacted to the threats to the Iraqi cultural memory by writing articles in which he pays imaginative homage to the writers of previous generations (like Mahdī ʿĪsā al-Ṣaqr). The imagery Khuḍayyir uses in his articles is a crucial part of the innovative way in which he tries to preserve a ‘memory of literature’. However, in his fictional sketches, Khuḍayyir evokes a poetics of fire which expresses his scepticism as to whether a recovery of the literature of the past can have real purchase in the current Iraqi cultural landscape. Khuḍayyir’s use of the internet to disseminate his cultural narratives confirms the ambivalent cultural space he chooses to inhabit.\",\"PeriodicalId\":36575,\"journal\":{\"name\":\"Journal of Contemporary Iraq and the Arab World\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Iraq and the Arab World\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jciaw_00081_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Iraq and the Arab World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jciaw_00081_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Prometheus in the Iraqi alley: Muḥammad Khuḍayyir’s twenty-first century adab
The Iraqi writer Muḥammad Khuḍayyir has in recent years published numerous fictional sketches and articles online. One of the factors that has led to this late flurry of production has been the perilous state of Iraqi culture, especially after 2003. Khuḍayyir has reacted to the threats to the Iraqi cultural memory by writing articles in which he pays imaginative homage to the writers of previous generations (like Mahdī ʿĪsā al-Ṣaqr). The imagery Khuḍayyir uses in his articles is a crucial part of the innovative way in which he tries to preserve a ‘memory of literature’. However, in his fictional sketches, Khuḍayyir evokes a poetics of fire which expresses his scepticism as to whether a recovery of the literature of the past can have real purchase in the current Iraqi cultural landscape. Khuḍayyir’s use of the internet to disseminate his cultural narratives confirms the ambivalent cultural space he chooses to inhabit.