{"title":"音乐、噪音与自然:贝内迪克特·厄林松《战争中的女人》中的能量模糊","authors":"Heidi Hart, B. Schirrmacher","doi":"10.5406/19407610.15.3.01","DOIUrl":null,"url":null,"abstract":"Abstract:Unlike most films dealing with the challenges of climate change or globalization, Benedikt Erlingsson's film Woman at War (2018) is full of energetic humor and contradictions. The protagonist's conflicting roles as choir director, eco-warrior, and future adoptive mother undermine expected binaries, as do onscreen musicians in this communication of complexity. In our intermedial and ecocritical analysis, we demonstrate how the film's sound design exploits ambiguities of diegesis, nature and culture, music and noise, and order and revolt to generate a more empowering than merely entertaining plot.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"25 1","pages":"19 - 3"},"PeriodicalIF":0.5000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music, Noise, and Nature: Energetic Ambiguities in Benedikt Erlingsson's Woman at War\",\"authors\":\"Heidi Hart, B. Schirrmacher\",\"doi\":\"10.5406/19407610.15.3.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Unlike most films dealing with the challenges of climate change or globalization, Benedikt Erlingsson's film Woman at War (2018) is full of energetic humor and contradictions. The protagonist's conflicting roles as choir director, eco-warrior, and future adoptive mother undermine expected binaries, as do onscreen musicians in this communication of complexity. In our intermedial and ecocritical analysis, we demonstrate how the film's sound design exploits ambiguities of diegesis, nature and culture, music and noise, and order and revolt to generate a more empowering than merely entertaining plot.\",\"PeriodicalId\":41714,\"journal\":{\"name\":\"Music Sound and the Moving Image\",\"volume\":\"25 1\",\"pages\":\"19 - 3\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Sound and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/19407610.15.3.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/19407610.15.3.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Music, Noise, and Nature: Energetic Ambiguities in Benedikt Erlingsson's Woman at War
Abstract:Unlike most films dealing with the challenges of climate change or globalization, Benedikt Erlingsson's film Woman at War (2018) is full of energetic humor and contradictions. The protagonist's conflicting roles as choir director, eco-warrior, and future adoptive mother undermine expected binaries, as do onscreen musicians in this communication of complexity. In our intermedial and ecocritical analysis, we demonstrate how the film's sound design exploits ambiguities of diegesis, nature and culture, music and noise, and order and revolt to generate a more empowering than merely entertaining plot.
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